An Asian Ghost Story

The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

Documentary charting the history of the supernatural on British TV, revisiting classic ghost stories and controversial shows. Contributors include Derren Brown and Yvette Fielding.

A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.

An experimental video essay which uses circles and waves to explore neurodivergent experience.

a woman getting ready after a swim who happens to get captured by my lenses, farah.

Do ghosts exist? In this new documentary, a filmmaker travels to rumored haunted places interviewing psychics, scientists, and skeptics in search of the truth. Along the way, his crew captures unexplained phenomena including a box that allows the dead to speak.

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

A video project meant to highlight the human cost in Palestine.

Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.

Rebellion in God's council. Spirits of dead giants. Rival gods creating chaos. These are the things of myth and fairy tales, right? The Bible tells a different story. In the documentary The Unseen Realm, a light is cast on the strange and enigmatic plane of the supernatural that lies within the pages of Scripture. And what we discover are two distinct worlds—with vastly different inhabitants—created and ruled by one loving triune God. Based on the book by Michael Heiser. Featured exclusively at: faithlifetv.com/the-unseen-realm

In this 5th installment of "The Blackwell Ghost" series, the ghost hunting filmmaker returns to the "Lightfoot House" where he hopes to solve a newly discovered puzzle which may lead to the location of more undiscovered victims.

Stuck in the traffic of life.

Noise, static, channel change...

Time lapse of clouds and a mimosa tree to the silhouette at dusk.

This documentary explores and provides new insights into the life and writing of British author Robert Aickman (1914-1981), with special reference to his celebrated 'strange stories' - modern ghost stories - his two volumes of autobiography and his campaigning work for the restoration of the British canal system. The film includes rare footage, recordings and photographs of Aickman, interviews with his friends and with writers Jeremy Dyson and Reggie Oliver, and dramatized excerpts of his stories.

Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.

This film is a secondary expression movie which is produced from much stuff of old postcards as souvenir of the mountain resort. It is an experiment for considering about the possibility that the old photo postcard become the device of sharing memories of the world of today.

Sabattus is an old town and like any old town it has its history of inhabitants, tragedy, and conflict. There's a house in Sabattus, though, unlike any other. The owner reports that the property experiences strange sightings. Shadowy figures, strange balls of light, and the sounds of being followed are all common occurrences at this house. Join investigator Nate Brislin as he documents the strange goings-on at the Sabattus house. Hear the story from the eyewitnesses, and embark on an expedition that dares to ask: are there phantoms in America's Pine Tree State?