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A documentary about a funeral director and her views on life and death.

Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

Un memorial contra la injusticia y la barbarie

The documentary traces the history and legacy of Poona Guest House, a place situated in the heart of Pune, and how early cinema gave rise to this establishment, its delicious traditional food, and a mother's home to many dreamers.

Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.

As Percival Lowell, an optimistic astronomer, fervently believes he has discovered extraterrestrial structures across various planets, he races against skepticism and scientific scrutiny to try and validate his groundbreaking discovery.

Crossing the vast outskirts of the big city we can glimpse that after the great future catastrophes there will still be room for the promise of a new youth, perhaps the last one.

Aspiring to make it big in the page 3 industry, an established paparazzi Manoj takes his chance against fellow photographers in a race to capture the most sensational photos in order to battle the realities of life. Maithili language film.

In a region where the native language is often overlooked, a young Bundelkhandi rapper works tirelessly on his first album. As he faces financial struggles and a lack of resources, the question remains: will he be able to make it and at what cost?

In the world's only deaf-mute village where silence reigns, tension mounts as Misra Khatoon approaches childbirth. The villagers surround her home and beat drums seeking a response from the newborn.

In a dim, dusty room within Mumbai's Slums, locals gather as a film is projected, transporting those who enter into a realm offering solace from the relentless urban chaos. An exquisite examination of the rhythm and ambiance inside the exterminating alternative cinema space- the video parlors.

On September 22, 1998, the Iranian poet Hamid Hajizadeh and his nine-year-old son Karun, whose name symbolically refers to Iran's longest river, were brutally murdered in their home in Kerman. The documentary film, based on the statements of the survivors, tries to sensitively reconstruct one of the many terrible motivated events that took place in Iran at the end of the previous century and draws us into the fateful day with the help of detailed shots of the objects in Hamid's study.

Alvina visits her late Grandfather’s House, on the 5th anniversary of his demise. She and her grandmother bond over their memories and affection towards him. As they spend slow afternoons together, talking about him, his patriarchal tendencies begin to surface. Alvina speaks to her father, and a childhood of fear and tyranny surfaces in her father’s recollections. Her grandmother’s experiences as a woman and a wife are colored by the same tyranny. These well kept secrets only had the tree outside the balcony and the walls of the house as witness, and their burden brings the house to life, and makes the tree restless.

This is a documentary on Kaifi Azmi, a famous Urdu poet. His work reflects his strong commitment to the weaker sections of the society.

Lorraine Carter lives a quiet, contemptuous life in the mundane suburbs of Lincoln. She is restless, discontented and dreams of what once was and what could have been. Having once lived on the road, gigging as the lead singer in a punk band, Lorraine was a real rock star, or came close to being one. With the band's burgeoning dreams being cut short, and life sweeping her forward, Lorraine's life as a proud punk-rocker seemed over. Swapping punk for a nine-to-five, and the microphone for motherhood, Lorraine watched from the margins as her life sped by. Beaten, forgotten, and belittled by the world around her, Lorraine grows tempestuous. She yearns to reclaim her creative identity, to express herself and to fight for what she believes in. She prepares to come to terms with her past, to overcome her fears, and to take the stage once again. With a microphone in hand, she sings a simple phrase. Keep the faith, it’s all we’ve got.

Terry Wilson is a 70-year-old lifelong resident of Meadowvale Village, Ontario's first heritage district. As development looms and begins to destroy Terry's favourite place in the world, he recreates pieces of history in his backyard, crafting an oasis where it feels like nothing has changed. A beautiful tribute to his childhood, his mother, and his town, Terry passionately fights to preserve history in a world that's too anxious for change.

A snappy and hyper-saturated ode and eulogy to growing up in Tegucigalpa, Honduras, and immigrating to Canada. A slice of life through the lens of a camcorder.

Love in the Gaze of a Panopticon

This experimental found-footage film uses state and corporate propaganda to explore the relationship between extractive industry infrastructure and audiovisual materials in Canada's colonial project.