Constructs

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.

An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.

¿Quién puede matar a un hombre?

The documentary tracks the origins of the found footage technique and how it transformed with technological changes throughout the last few decades.

Three people reckon with the legacy and impact of a tragic historical site with roots in their city. Meanwhile, a medium from out of town visits the site to see what she can learn from the energy of the land.

In 2008, a real-life mystery began to unfold when a real estate company (name withheld by request) discovered video footage shot in one of its vacant properties. The tapes were acquired by local documentary filmmakers Jarrod Rogan and Haman Movafagh, who began piecing together a series of bizarre instances recorded by a man living in the house. Apparently waiting for his wife and daughter to join him from out of state, the man began documenting strange activity that kept him from sleeping for days on end. The eerie recordings have become the subject of much controversy among paranormal investigators, and are finally being released to the general public. This first documentary from Son of Jason Films challenges audiences to explain what happened in the house on Briar Lane.

This special 10th anniversary edition of the Found Footage Festival finds curators Joe Pickett and Nick Prueher in a nostalgic mood, delving deeper--perhaps too deep--into some of their favorite VHS finds from over years. But Volume 7 is also jam packed with newly unearthed treasures, featuring singing rabbis, petulant news anchors, coughing snake handlers, bodybuilding clowns, and two body parts never before seen in the festival! It's a celebration of a decade of Found. Record over and you'll die! Taped live at The Grey Eagle in Asheville, North Carolina.

It is a documentary about mostly inner-city birds. It is meant to examine their lives in a more metropolitan context as they become increasingly tangled in our everyday lives.

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

A dialogue and home video about belonging, from young people living in modern colonial society.

This is an installation documentary created in 2015. The quiet process of making boxes indoors reflects the author's patience and caution, the narration when the screen is black reflects the author's familiarity and confidence in what he wants to express, and the dodging perspective and trembling picture when facing the crowd outdoors reflect the photographer's cramped and alienated. A lot of things happened after 2015, and the film was re-edited. The current version has almost used the best materials of that year.

A documentary profile of Lester Brodzik and his alter ego Lestushka

An experimental film about the relation of Time and Space.

Un jour avec Andrée

Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".

A documentary film containing unique and unpublished backstage materials from the life of the legendary Kult band and Kazik Staszewski himself. A real, exciting and anticipated film about people without whom the Polish music scene could not exist. The camera accompanied the musicians during the concert tour and in everyday life, showing the phenomenon and the group and its unprecedented relationship with fans.

In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.

Over 32 years of archives, patterns emerge and stare back. Will they shape the films I'm trying to make – or haunt their edges?

Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.

"In A MILLION IN DEBT IS NORMAL, SAYS MY GRANDFATHER, Gabriele Mathes traces the consequences of the decline of her father’s furniture factory via her family’s Super-8 footage(..)" (Viennale)