It’s Never Been So Cold

Dag Ma

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.

Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.

British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.

In 2007, fifteen-year-old Chaeyoung is diagnosed with anorexia and committed to a mental hospital. Feeling guilty, her mother, Sangok, tries to trace the source of her daughter’s illness but there is no way to know. Ten years later, the mother and daughter begin a conversation. Relying on Chaeyoung’s diary, drawings, and voice-over, the film explores the history of conflict and pain in mother-daughter relationships through three generations: grandmother, mother, and daughter.

In Our Mothers' Gardens celebrates the strength and resiliency of Black women and Black families through the complex, and often times humorous, relationship between mothers and daughters.

Through a series of extraordinarily honest and intimate conversations, filmmaker Aurora Brachman examines the intergenerational fallout of experiences her mother endured as a child. Together, they forge a path forward that offers them a new beginning.

Intoxicants offered Pinja a connection to her mother. What will their lives be based on when they both decide to get sober?

When Jennifer Pan calls 911 to report that her parents have been shot, she becomes the primary focus of a captivating criminal case.

Filmmaker Stephanie Wang-Breal sets out to cross the generational divide, confronting long-simmering tensions with her Chinese immigrant mother by literally becoming her. Dressing in her mom’s iconic St John Knit power suits and re-creating her 1980s local TV cooking show, Stephanie becomes Beta-Florence, a radical reinterpretation of Asian-American identity.

Hold mig fast. Før jeg forsvinder

Biggi lives with her two daughters, four dogs and her exboyfriend Alfred on a dilapidated farm in a small village in Saxony-Anhalt. Biggi and Alfred are out of work and they live very modestly. The 14 and 17 year-old daughters Saskia and Denise should really go to school, but there are always reasons for them to stay at home. This gives rise to tension with Alfred. We accompany them during their conflict-ridden everyday lives and learn something about their dreams, fears and hopes. And how difficult it is to break out of a circle.

Three generations of women share a home — cooking, waiting, and persisting—until a pregnancy quietly shifts the balance, exposing the deep-seated traditions that still shape their lives. Even in a household led by women, patriarchy lingers in the unspoken.

mommy forever

Kelly Finger-McNeela was diagnosed with Multiple Sclerosis her freshman year of high school. The only thing on her mind was living a "normal" life. Her disease threatened to make that impossible.

Ukrainian journalist Katya Soldak, currently living in New York City and working for Forbes magazine, chronicles Ukraine's history: its strong ties to Russia for centuries; how it broke away from the USSR and began to walk alone; the Orange Revolution, the Maidan Revolution, the Crimea annexation, the Donbass War; all through the eyes of her family and friends settled in Kharkiv, a large Ukrainian city located just eighteen miles from the Russian border.

Following the shooting of a documentary on the death of her daughter, a mother reflects on her own life and especially on the passing of time.

Emily Grodin is an autistic woman who spoke minimally for a significant part of her life, until she had a breakthrough and began to express herself in new ways.

A grandmother, mother, and daughter quarantine together in a Tribeca apartment as they laugh about life over wine.

A deeply moving portrait of an architect tested by the impossible choices between career, country and motherhood