Tompa Eken - ett liv i punkens tjänst

A feature length Concert Documentary about Blitzkid, a seminal Horror-Punk band playing their last show (in the U.S.) at a resurrected Horror-Punk Festival, Ghouls Night Out.

"This Is What Trans Punk Looks Like" is a documentary about the transgender punk culture in Texas and the beauty of community. It features several interviews with trans individuals within the scene, talking about their childhood experiences, Texas' political climate, and what punk means to them.

An Exercise in Perspective is an experimental documentary and fundraising film, which follows the story of blind runner Phil Harrison. Born fully sighted, Phil has lost eyesight from two unfortunate moments – an injury to his left eye as a teenager, compounded by a cancer diagnosis in his right eye when he turned 60. He now has less than 5% vision, only afforded to him with an artificial iris. Many people could become reserved after such bad luck — Phil has decided to run. In 2026 he will run his first ever marathon, the London Marathon, raising money for the UK sight loss charity: RNIB (Royal National Institute of Blind People). As the frontman of infamous punk band Social Security he has always been defiant and young-at-heart. The band provide the perfect soundtrack to his story. Immersive, mixed-media and a DIY project — the documentary gives a perceptual insight into Phil’s excitable, scrappy and inspirational spirit.

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

An independent documentary exploring the early life, artistic vision, and cultural impact of rapper Lil Peep, focusing on his formative years and emotional world.

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

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The German punk band "Terrorgruppe" was found in 1993 and broke up in 2005. The band was essential for the developement of German punk. Songs like "Keine Airbags für die CSU" or "Mein Skateboard ist wichtiger als Deutschland" inspired a whole generation of punks and anarchists. This documentary portraits the band's history from 1993 to 2005.

A documentary showcasing a series of tributes to deceased D-beat legend, Kawakami.

Filmed for television at the legendary SO36 Club in Berlin, 1983.

In 1981, an unusual person arrives in Natashquan, marking the beginning of an unlikely love story between this small Quebec village and the young man they call “The Punk”. Five years later, he vanishes without a trace, forever impacting the community.

When the heat death of the Earth arises due to global warming, a group of four teens decide to form a band and make a documentary to immortalize their music and their lives.

The crew and friends of Atlanta skateshop Stratosphere skateboards' original skate video.

A concert film documenting a performance from the Houston artist Orpheus Von Doom.

A documentary music film that maps the Czechoslovak punk scene and some of its protagonists in the collapsing communist era. The music for this short film was composed by the then newly founded band Wanastowi Vjecy.

A kinetic glimpse of the rock band Fugazi tearing it up in Wisconsin during the 
Summer of 2001. The original 16mm footage had gone missing for several years,
 but was eventually found, scanned, and edited together in 2010.

Documentary with interviews and clips of bands from Epitaph and Burning Heart.

A girl returns to a town of punks and burn-outs, seeking help to cure her vegetative, elderly friend.

The summer of the Jubilee in 1977 was mentally dominated by another national anthem - "God Save the Queen" by The Sex Pistols. That same summer was also the summer of punk. Janet Street Porter Reviews The Year Of Punk, Featuring Early Classic Footage Of The Sex Pistols, The Clash, Siouxsie And Others.

Music as a counter-project to a bourgeois existence: Musicians, club and label operators, record store owners and other music lovers talk about how, despite social and economic constraints, they realize their very different, bohemian and sometimes precarious life projects on the sidelines - and always go on. Detailed essays, experience reports, portraits and interviews are dedicated to the alternative music and club scene in Berlin and Hamburg.