Projektionen der Sehnsucht
The film documents the ascent of Monga ma loba, the mountain of the gods in the Cameroon Mountains, and a visit to the town of Buea. The material was shot on an expedition to Cameroon in 1934.
A visit to the Bantu in Cameroon and the indigenous town of Kumbo. The living and working conditions of the Bantu and Bororo tribes are shown as part of this expedition.
A portrait of the town of Schwedt in the Uckermark and its history. The architecture of Schwedt Castle and tobacco growing outside the town are also covered.
A visual allusion of the cleansing of the temple to numerous crimes. The film draws an arc from the Crusades to the Holocaust and the Vietnam War.
Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
The story of the apparition of the Virgin of Guadalupe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Florence is a contemplative study of light and shadows, textures and planes, that makes beautiful use of the tonal qualities of black and white film. (mubi.com)
Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.
Kreuzberg gehört uns
This film portrays activity in Grand Central Market in Los Angeles, California. Highlighted are vendors that represent the melting pot that is America, selling their wares to people of all ages and all walks of life. The film was directed by William Hale.
Short-documentary about the squat at Amandastraße 73 in Hamburg.
A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
Documentary about filmmaker Jean Grémillon.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.