Märak och Pirak

The documentary Rap and Reindeer follows the life of 18-year-old Sámi rapper Mihkku Laiti, who lives in the northernmost corner of Sámiland. The film is a coming-of-age story, following Mihku on his journey towards a career as a musician and rise to stardom in the midst of varying expectations. He’s charmed the crowd on Talent Suomi and proudly wears the Sámi clothing he has styled himself. He raps and yoiks in harmony, designs his own brand on his computer but also masters the skill of laborious reindeer herding. Above all, he sees his own unique roots and the Sámi language as his greatest strength. The future makes him wonder: to follow his father’s footsteps or to reach for his dreams.

Examines the extraordinary lifelong friendship between Skolt Sámi storyteller Kaisa Gauriloff and the Swiss-Russian author Robert Crottet through the eyes of Gauriloff’s great-granddaughter Katja.

Love, music, Sami identity and environmental activism go hand in hand in this inspiring tale of young singer Ella and her fight against the mining company that threatens her Sami heritage.

The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.

A Sámi woman fights for her right to claim a tax deduction against the purchase of a dog. Why the Swedish authorities fail to recognize the dog's use as a reindeer herding tool versus a pet opens up a larger discussion about Indigenous rights and economic discrimination in this humorous takedown of the Swedish government's ignorance of Sámi culture.

Joar Nango has collected books and various other material relevant to Sami architecture. This is is a deep dive into Gumpien's history and use today. A gumpi is a portable shepherd's hut mounted on dairies, often used during spring migration in reindeer husbandry.

On Saturday, April 26, spring came to Sweden. That same day, Chernobyl nuclear power plant exploded. Bringing mild winds to Scandinavia. Sweden suffered heavily of radioactive poison.

About being young and Sámi, focusing on the topics, pride, love and conflict. Isabel moves from her mother in Stockholm to her father in Jokkmokk. Amoc rap in Aanaarsämikielâ, Inari Sámi, a language used among 400 people. Alette doesn't feel like a Sámi. Thomas is a drummer, snowboards and dream of being an actor. The skier Tonje always fall in love with a Sámi. Why? Jon is adopted from Colombia and joiks a lot. Thomas and Petra plan for their future. Ritva loves horseback riding. Amanda likes theatre and politics. Vocalist Sandra wonders how much Sámi she is. Johan is brought up in a religious home where music is prohibited. Aslak love scooters. Marit was bullied in school because she is a Sámi.

Wimme Saari is one of the best known Sami yoikers from Finland. He combines traditional Sami singing with his own improvisations, usually to a techno-ambient accompaniment by members of Finnish electronic group RinneRadio. Wimme has also appeared on the albums of other bands or musicians, for instance Hedningarna, Nits or Hector Zazou.

The Sámi people (also spelled Sami or Saami) are an indigenous Finno-Ugric people inhabiting Sápmi, which today encompasses large northern parts of Norway and Sweden, northern parts of Finland, and the Kola Peninsula within the Murmansk Oblast of Russia. A single daily newspaper is published in Northern Sámi, Ávvir. There are short daily news bulletins in Northern Sámi on national TV in Norway, Sweden and Finland. There is a Sámi theatre, Beaivvas, in Kautokeino on the Norwegian side, as well as in Kiruna on the Swedish side. The largest Sami Publishing house is Davvi Girji. In this program "Topic: Sámi" filmmaker Nils Gaup presents his latest production, "The Kautokeino Rebellion" (2008), author Ann-Helen Laestadius talks about to seek ones roots, and Isabel Pavval share how it is being a young Sámi and youth culture.

The everyday life of the Karesuando Sámi at the Sarek Mountains, near their camp, the sita. Traditionally, the Sámi have pursued a variety of livelihoods, including coastal fishing, fur trapping, and sheep herding. Their best-known means of livelihood is semi-nomadic reindeer herding. The genetic makeup of Sámi people has been extensively studied for as long as such research has been in existence. Ethnographic photography of the Sámi began with the invention of the camera in the 19th century. This continued on into the 1920s and 1930s, when Sámi , against their will, were photographed naked and anatomically measured by scientists,.

Everyday wintertime life of Sámi reindeer herder Inka Länta and her family, mingling authentic and fictionalized takes.

Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.

The fate of a culture lies on the shoulders of few determined individuals.

A documentary about Áillohaš (Nils-Aslak Valkeapää), a musician, painter, and poet of the Sámi people in Finland.

Documentary about Lars Theodor Jonsson who was a cross country skier in the 1920s and 30s and now lives alone in the forest.

Two parallel stories are gradually unfolding the everyday life of two very different persons - that of 86-year-old Sara and 7-year-old Mihka - both residing in Guovdageaidnu - Kautokeino, in the middle of the Norwegian arctic tundra, through the drastic change of the arctic seasons and the passage from the long winter’s darkness to the never-ending light of the summer season.

Personal accounts from the Alta actions in the years 1979 to 1981. Large police forces were deployed against the demonstrators. The dispute over the Alta river began as an environmental issue, but became a major turning point for the Sámi people's struggle for equal rights in Norway.

Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.