Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.
The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.
Documentary about Lars Theodor Jonsson who was a cross country skier in the 1920s and 30s and now lives alone in the forest.
An essay film about how it may feel to grow up as a young Sami in Sweden, with poetry written by Ella-Maria Nutti and graphics by Irma Bergdahl. The partying of a typical teenager together with the labels put on you that wont go away, the questions which are thrown on you as knives in the back. A tribute to our ancestors who fought for our rights and a declaration of love to the young Samis who continues to fight
Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.
The documentary Rap and Reindeer follows the life of 18-year-old Sámi rapper Mihkku Laiti, who lives in the northernmost corner of Sámiland. The film is a coming-of-age story, following Mihku on his journey towards a career as a musician and rise to stardom in the midst of varying expectations. He’s charmed the crowd on Talent Suomi and proudly wears the Sámi clothing he has styled himself. He raps and yoiks in harmony, designs his own brand on his computer but also masters the skill of laborious reindeer herding. Above all, he sees his own unique roots and the Sámi language as his greatest strength. The future makes him wonder: to follow his father’s footsteps or to reach for his dreams.
Sami reindeer herders win a Supreme Court victory against Europe’s largest wind farm - but when the state refuses to act, their fight reveals a deeper crisis of justice and trust.
A BBC Four Slow Christmas treat follows Norway’s Sami reindeer herds as they migrate across the mountainous region of Finnmark, far north of the Arctic Circle. The journey, a little over 160 miles, takes the herd a week, travelling north from the inland winter feeding grounds to their coastal summer pastures. The film travels with the Sara family and their herd around the clock as they cross the Arctic wilderness to reach the coastal island of Kvaloya Fala in time for the calves to be born. It is a journey fraught with hazardous weather conditions.
Off The Mark is a documentary about a world-first dog sled expedition in Finnmark, Norway, in the middle of the polar night in search of microplastics and indigenous solutions to the climate crisis.
In the film about "the land of eternal light and eternal darkness" we meet some women who talk about their lives. The women have all grown up in reindeer herding families and as children they lived in kotas, moved with reindeer and lived a life in nature. Their own children, on the other hand, have grown up in "normal" Swedish society. None of them have lived like their parents. The film addresses Sami culture, language, school. How modern technology has affected the lives of the Sami.
A documentary about Sami comic artist Mats Jonsson and his relative Stor-Stina. Her remains were long believed to have been lost in a fire but were recently found and returned to her home town of Malå to be buried.
Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.
The Sámi people (also spelled Sami or Saami) are an indigenous Finno-Ugric people inhabiting Sápmi, which today encompasses large northern parts of Norway and Sweden, northern parts of Finland, and the Kola Peninsula within the Murmansk Oblast of Russia. A single daily newspaper is published in Northern Sámi, Ávvir. There are short daily news bulletins in Northern Sámi on national TV in Norway, Sweden and Finland. There is a Sámi theatre, Beaivvas, in Kautokeino on the Norwegian side, as well as in Kiruna on the Swedish side. The largest Sami Publishing house is Davvi Girji. In this program "Topic: Sámi" filmmaker Nils Gaup presents his latest production, "The Kautokeino Rebellion" (2008), author Ann-Helen Laestadius talks about to seek ones roots, and Isabel Pavval share how it is being a young Sámi and youth culture.
Wildlife cameraman Gordon Buchanan travels to the frozen north, deep inside the Arctic Circle, to meet the ancient Sami people and the animals they hold so close - reindeer.
Examines the extraordinary lifelong friendship between Skolt Sámi storyteller Kaisa Gauriloff and the Swiss-Russian author Robert Crottet through the eyes of Gauriloff’s great-granddaughter Katja.
Joar Nango has collected books and various other material relevant to Sami architecture. This is is a deep dive into Gumpien's history and use today. A gumpi is a portable shepherd's hut mounted on dairies, often used during spring migration in reindeer husbandry.
Two parallel stories are gradually unfolding the everyday life of two very different persons - that of 86-year-old Sara and 7-year-old Mihka - both residing in Guovdageaidnu - Kautokeino, in the middle of the Norwegian arctic tundra, through the drastic change of the arctic seasons and the passage from the long winter’s darkness to the never-ending light of the summer season.
The everyday life of the Karesuando Sámi at the Sarek Mountains, near their camp, the sita. Traditionally, the Sámi have pursued a variety of livelihoods, including coastal fishing, fur trapping, and sheep herding. Their best-known means of livelihood is semi-nomadic reindeer herding. The genetic makeup of Sámi people has been extensively studied for as long as such research has been in existence. Ethnographic photography of the Sámi began with the invention of the camera in the 19th century. This continued on into the 1920s and 1930s, when Sámi , against their will, were photographed naked and anatomically measured by scientists,.
Wimme Saari is one of the best known Sami yoikers from Finland. He combines traditional Sami singing with his own improvisations, usually to a techno-ambient accompaniment by members of Finnish electronic group RinneRadio. Wimme has also appeared on the albums of other bands or musicians, for instance Hedningarna, Nits or Hector Zazou.
The fate of a culture lies on the shoulders of few determined individuals.