Procreation is the social duty of all fertile women, was the political thinking during the 1960s and 1970s in Romania. In 1966, Ceaucescu issued Decree 770, in which he forbade abortion for all women unless they were over forty or were already taking care of four children. All forms of contraception were totally banned. The New Romanian Man was born. By 1969, the country had a million babies more than the previous average. Romanian society was rapidly changing. By using very interesting archival footage and excerpts from old fiction films and by interviewing famous personalities from that time – gynecologists or mothers who were part of the new society - the director revives this period of tremendous oppression of personal freedom. Many deaths were caused by the mere fact that women, including wives of secret Romanian agents, famous TV presenters, and actresses, had to undergo illegal abortions. Many women were jailed for having them.
A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.
Child abuse, mental illness, and forbidden love converge in this mystery involving a mother and daughter who were thought to be living a fairy tale life that turned out to be a living nightmare.
At a public hospital in Nicaragua, Ob/Gyn Dr. Carla Cerrato must choose between following a law that bans all abortions and endangers her patients or taking a risk and providing the care that she knows can save a woman's life. In 2007, Dr. Cerrato’s daily routine took a detour. The newly elected government of Daniel Ortega, a former Marxist revolutionary who converted to Catholicism to win votes, overturned a 130-year-old law protecting therapeutic abortion. The new law entirely prohibits abortion, even in cases of rape, incest, or when a woman’s life is at stake. As Carla and her colleagues navigate this dangerous dilemma, the impact of this law emerges—illuminating the tangible reality of prohibition against the backdrop of a political, religious, and historically complex national identity. The emotional core of the story—the experiences and situations of the young women and girls who are seeking care—illustrate the ethical implications of one doctor's response.
Women talk about the circumstances that drove them to seek illegal abortions and the often traumatic result. Interwoven with historical photographs and newsreel footage, the stories expose how the reality of women's lives were counterposed to what was socially and morally expected of them.
A mother wants to tell her daughter her opinion via video, but because she is untrained in using the new technology, she returns to the familiar letter form.
Rena is on the threshold of adulthood. For her and her mother, the Internet is a form of escape from their humdrum everyday lives. In the world of talent shows, Facebook and YouTube, the keyboard seems to be a gateway to fame and love. Yet the border between fantasy and reality is quickly obliterated.
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.
At an Atlanta abortion clinic besieged by protesters, the director of operations, Tracii, takes necessary risks to safeguard staff and patients.
"What Donald Trump’s win means for abortion, immigration, foreign policy, and more. "Donald Trump, the 45th president of the United States, will also be its 47th president. After voting him out of office in 2020, American voters changed their minds, opting for a return to his policies and his politics. "But the second Trump presidency will look very little like the first. His policies have evolved, his circumstances have changed, and he will be returning to office with a much more focused plan than the one he entered with eight years ago. "In this video, we ask six Vox reporters what we should expect from Trump’s second term, on topics from foreign policy to abortion" (Vox).
In Our Mothers' Gardens celebrates the strength and resiliency of Black women and Black families through the complex, and often times humorous, relationship between mothers and daughters.
French documentary campaigning for the liberalization of abortion and contraception, directed by Charles Belmont and Marielle Issartel in 1973.
In this documentary, 6 protagonists tell their personal experiences of abortion and sterilization, from unplanned pregnancy to a happy mother and vice versa from the wanted child to regretting motherhood.
"The Mother Road," is a fun and touching one-hour documentary that is a part travelogue, part human interest, and part rock n' roll road trip -- all wrapped up in a mother-daughter experience taken by award0winning documentary filmmaker and journalist Lauren Cardillo and her mother. The documentary explores the heartwarming relationship between our mother-daughter main characters and those they meet on the road.
7 Reasons (2019) is an explicitly Christian pro-life documentary. Ray Comfort presents seven biblical and scientific arguments defending unborn life as sacred image-bearers, exposing abortion as child-killing while affirming God's design and the Gospel call to protect the innocent. From Living Waters—powerful evangelism equipping believers to dismantle pro-choice lies with Scripture and logic. Uncompromising truth for the culture war, not neutral debate.
The documentary depicts the birth of eugenics - a pseudo-science created in the 19th century that propounded the theory of perfecting the human race. According to the views of eugenicists, only healthy and creative individuals should reproduce. The film shows how these controversial ideas influenced the intellectual and political elite of the West in the 20th century, including the dictator of the Third Reich, Adolf Hitler. Eugenics is a pseudoscience created in the 19th century and treating the improvement of the human race. According to eugenicists, only healthy and creative individuals could procreate, and the procreation of the sick or disabled and racially unworthy (prostitutes, the poor, beggars) should be forbidden. The author of the film posits that modern genetics, the killing of unborn children and euthanasia have their roots in this infamous pseudoscience.
British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.
In America women can go to jail for their husbands’ crimes, men are allowed to marry ten-year-olds, and abortions in some states are illegal, even in cases of rape. Documentary filmmaker Brice Lambert journeys through the American South and meets women who are at the receiving end of the attack on women’s rights since Donald Trump’s return to power.
The mother and daughter face the question of whether to keep the pregnancy or terminate it. Both are under pressure from relatives, friends, and doctors. Both are going through a difficult decision-making process. Each episode of the artistic part shows the life circumstances and the path that a woman in a crisis situation goes through. In documentary inserts, representatives of various professions (psychologists, lawyers, gynecologists, clergymen) tell how they face the problem of abortion in their lives.