Oppenheimer After Trinity

Documentary film version of the stage show in which actress Cynthia Gates Fujikawa explores the story of her father, actor Jerry Fujikawa, who had a long career in films and television, most often as a stereotyped Asian. The daughter, in the course of searching out her late father's history, discovers many things that she had not known, among them that her father had spent time in Manzanar, the internment camp for Japanese-Americans during World War II, that he had had a family prior to hers, and that somewhere out there was a sister she had never known existed.

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Brief portrait of a conformist.

Top scientists want to build a nuclear bomb-powered spaceship to visit Mars and the planets.

We've all heard of the atomic bomb, but in the late 1950s, an idea was conceived of a bomb which would maximize damage to people, but minimize damage to buildings and vital infrastructure: perfect for an occupying army. This is the story of a man and his bomb: a melding of world events and scientific discovery inspire the neutron bomb, one of the most hated nuclear weapons ever invented.

Army Air Force produced documentary with footage of the IX Troop Carrier Command and the "Path Finders" and "Glider Rider" that were part of the airborne portion of the Allied invasion of Normandy.

NOVA accompanies famed test pilot Darryl Greenamyer and his intrepid crew on a perilous mission to repair and re-fly a B-29 bomber stranded on the Greenland icecap since 1947. In the face of incredible hardships, the team struggles to bring the old warbird back to life.

Two brothers who could not have been more different. The eldest, Hermann Göring (1893-1946), was a prominent member of the Nazi regime, head of the German Air Force, and a war criminal. The youngest, Albert Göring (1895-1966), opposed tyranny and was persecuted, but today he is still unjustly forgotten, although he saved many lives while his brother and his accomplices ravaged Europe.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

The 1950s were a time marked by an idealistic feeling. The atomic age, with its promise to save humanity, revolutionized the world, technologically, socially and politically. All these factors gave birth to one of the most prolific film genres in the history of cinema: science fiction, which delighted the audience. Only a few years later, these same spectators saw on their television screens how the Russians launched the Sputnik into space.

One and a half years before the begin of the Second World War during the annexation of Austria in March of 1938, Hitler conceived the megalomaniac idea of creating the largest European art center in his home town of Linz. At the beginning of the war on the 1st of September 1939, not only did his armies advance but also his art thieves began to fan out in their great foray of art plundering; an expedition on a previously unheard of scale began. Not only did the task forces of diverse National Socialist organizations pillage the occupied countries; Nazi bigwigs like Goering also took whatever they felt was valuable. This documentary includes the long and eventful journey of an exceptional masterpiece of European art: the Ghent Altar, created by van Eyck.

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During WWII, the Japanese army developed experimental balloons able to cross the Pacific Ocean and reach the West Coast of North America in 3-6 days. Armed with explosives, they were given the code name fu-go, or fusen bakudan (“fire balloons,” or balloon bombs) in an attempt to instill a culture of fear like that caused by the far more deadly American firebombing of Japanese cities. The U.S. responded by enacting a censorship campaign, requesting newspapers avoid reports of fu-go landings or sightings. Living near the remains of a fu-go launch site in Fukushima Prefecture, Takeuchi mimics their flight take-off using a drone camera, and, traveling to North America, follows their arrival across the shoreline and rural landscapes, using a bat’s echolocation as narrative device to place fu-go and Fukushima as echos across history.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Cinecitta is today known as the center of the Italian film industry. But there is a dark past. The film city was solemnly inaugurated in 1937 by Mussolini. Here, propaganda films would be produced to strengthen the dictator's position.

April 4, 1943, ten American prisoners of war and two Filipino convicts executed a daring escape from one of Japan's most notorious prison camps.

The Strangest Dream tells the story of Joseph Rotblat, the history of nuclear weapons, and the efforts of the Pugwash Conferences on Science and World Affairs - an international movement Rotblat co-founded - to halt nuclear proliferation.

Just after midnight on 10 March 1945, the US launched an air-based attack on eastern Tokyo; continuing until morning, the raid left more than 100,000 people dead and a quarter of the city eradicated. Unlike their loved ones, Hiroshi Hoshino, Michiko Kiyooka and Minoru Tsukiyama managed to emerge from the bombings. Now in their twilight years, they wish for nothing more than recognition and reparations for those who, like them, had been indelibly harmed by the war – but the Japanese government and even their fellow citizens seem disinclined to acknowledge the past.

A scientist explains how the savagery and efficiency of the insect world could result in their taking over the world.

Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.