It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.
Stonewall veterans (including prominent trans activist Sylvia Rivera) and HIV-positive New Yorkers take up residency on the Hudson River piers as cranes raze vacant buildings for a new skyline.
Mariem, 53, a former estate agent, has been living at a shelter for several months. Surrounded by women in far more precarious circumstances than herself, she tries to regard her unprecedented social downfall as an immersion in real life. By the time she leaves, Mariem’s view of the world will have changed forever, enriched by all the women she has met along the way.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.
49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.
In January 2011 Paul Crane discovered a tent city in downtown St. Louis, along the Mississippi River. He was curious as to who these people were, how they ended up there, and what life was like for them each day. He initially thought he would simply go down during the day and capture footage when possible, but he quickly realized that if he wanted to truly capture how these people lived and the full reality of their collective and individual existence, he would have to be there full time and become a part of the place, so he moved in with them.
La face cachée de l'aéroport CDG la nuit
Max Ramsey, an advocate for those experiencing poverty, uses what he has gone through to serve the impoverished community of Milwaukee despite internal struggles and disapproval from the city.
Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.
Located in Carcavelos, Quinta Nova de Santo António, or Quinta dos Ingleses, as it is recognized by the population, shelters a small community of people affected by the housing crisis. Natives and immigrants, deprived of a roof over their heads, carry on with their lives in search of better opportunities and a breeze of change. Guided by residents' voices, this documentary is based on the adaptability of human beings in the face of life's adversities and their constant pursue of happiness.
A short documentary following the last 5 hours of a 59-years-old man, Ahmed before becoming homeless due to the late payments and bureaucracy by the Department for Work and Pensions.
Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future.
Where we come from shapes who we are, and how others see us. Home gives us a sense of belonging and stability. It’s so much more than just a physical structure. It’s our safety, our refuge, our launch pad. Yet, so many people in the U.S. face housing instability and homelessness. A shocking 76% of Americans live paycheck-to-paycheck. They are just one accident or injury away from losing everything. Losing a place to call their own. Our Journey Home explores how home shapes us and challenges our perceptions about people in need of public housing. The film examines the role we all play in supporting those who struggle in having a stable place from where they can grow and dream.
The film explores the turbulent lives of homeless persons in Cologne, Germany. Through their personal belongings the homeless share with the viewer their memories and emotions, and provide insight into the secrets of survival on the street.
Geri is a serious drug addict, using designer drugs intravenously. Between two flashes, he lives an active social life on the streets of Budapest, in a subculture that "normal" people cannot see.
An inspiring feature documentary film about overcoming homelessness and addiction in the City of Los Angeles.
Meet Lanz Priestley, a charasmatic homeless man, who owns nothing but a phone and a Facebook page. When Lanz discovers taps have run dry in drought-stricken outback Australia, he raises the money to deliver drinking water himself.
In her final piece at film school, Longinotto and her partner take us into the "Theatre Girls Club" in Soho, London–a hostel for elderly and destitute women and the only shelter in London that would take in any woman at any time. The filmmakers lived in the hostel for more than two months, establishing an extraordinary level of trust with their “cast” —from the home’s feisty cook to an elderly resident who was a terminal alcoholic. In what will later be recognized as a signature style, Longinotto films without judgement and finds the humor and humanity in situations and characters that might otherwise be seen as tragic. This stunning film debut earned awards at several European festivals and screened to acclaim in the US and Asia.
In the spring of 2018, the filmmaker Maria Petschnig befriended Marc who at that time was living in his car in Brooklyn for more than a year, while also holding a day job. Petschnig started to record his life and struggle, his thoughts, routines, etc. over the course of two years.