THÁI BẢO HUỲNH KHANG

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

The story of ten trans girls who form a co-op theatre to be able to stop working as prostitutes. The protagonists tell us their dreams, show their daily struggles and share their experiences and realities to be accepted and belong to society as well.

Blood Road follows the journey of ultra-endurance mountain bike athlete Rebecca Rusch and her Vietnamese riding partner, Huyen Nguyen, as they pedal 1,200 miles along the infamous Ho Chi Minh Trail through the dense jungles of Vietnam, Laos, and Cambodia. Their goal: to reach the site where Rebecca’s father, a U.S. Air Force pilot, was shot down in Laos more than 40 years earlier.

America's involvement in the Vietnam War dramatically intensified in 1964 after the Tonkin Gulf incident, an incident in which the blame falls squarely on the Johnson administration. What would follow would be a series of misinformation and outright lies from the government to mislead the American public into supporting a war that would become increasingly harder to justify.

Otro Sol is a group of real and invented characters trapped in a film. It is also a purgatory of retired thieves that takes place on the coast of the Atacama Desert. The film is circular and seeks to invent and verify the myth of Alberto Cándia, a Chilean international thief who stole the Cathedral of Cadiz in Andalucia in the late 1980s.

Through a collection of home video footage, the filmmaker undergoes a journey of reconciliation and healing, grappling with their identity in the face of the past.

Documentary short following French-Vietnamese artist Marcelino Truong on his journey back to Vietnam for the research on his 'roman graphique' 'Une si jolie petite guerre' (A Lovely Little War). Truong looks back to when his family lived in Saigon from 1961 to 1963 when his father served as a translator to then president of the Republic of Vietnam Ngo Dinh Diem. The film follows Truong as he ruminates over memories, photos and films, and also conducts a host of interviews with Vietnamese relatives and officials to present a personal and long awaited Vietnamese perspective to the war.

A groundbreaking film that portrays the journey of Gigi Lazzarato, a fearless woman who began life as Gregory, posting fashion videos to YouTube from his bedroom, only to later come out as a transgender female. With never-before-seen personal footage, the film spotlights a family’s unwavering love for a child.

In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

Through archive footage and images as well as interviews, the movie paints the portrait of a legendary trans womens' rights activist in Argentina. Like a family album to flip through, the narrative charts the ties solidarity and mutual aid create between people of the LGBTQI+ community and the long road to make the personal political, during the brutal 1980s in latin America.

This beautiful and poignant film was commissioned by TENI (Transgender Equality Network Ireland) and is a conversational piece which explores gender identity and transgender experiences in Ireland.

Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.

Filmed over five years, we follow Lily Jones, 20, as she transitions from male to female, leaves her seaside home for the city, undergoes gender reassignment surgery and finds love.

A short, three minute documentary exploring audio recordings from the year 1894 to 1922, layered over home-footage from the year 1920 to 1985, as an indulgent social-commentary on our collective human experience as well as a testament to the everlasting nature of art.

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.