THÁI BẢO HUỲNH KHANG

A groundbreaking film that portrays the journey of Gigi Lazzarato, a fearless woman who began life as Gregory, posting fashion videos to YouTube from his bedroom, only to later come out as a transgender female. With never-before-seen personal footage, the film spotlights a family’s unwavering love for a child.

It often happens that at the moment of death, transgender individuals are shorn of their identity. Their families are ashamed, the funeral takes place in secret, and on the tomb appears the name the deceased had before their transition, in one stroke nullifying the entire life path they had chosen. The same thing happened to Antonia. Her girlfriends gather to honor her memory and give her back her identity denied. In telling her story, the film’s stars, all drawn from the variegated transgender world, interweave the narrative with tales of their own lives, experiences, and memories.

Documentary short following French-Vietnamese artist Marcelino Truong on his journey back to Vietnam for the research on his 'roman graphique' 'Une si jolie petite guerre' (A Lovely Little War). Truong looks back to when his family lived in Saigon from 1961 to 1963 when his father served as a translator to then president of the Republic of Vietnam Ngo Dinh Diem. The film follows Truong as he ruminates over memories, photos and films, and also conducts a host of interviews with Vietnamese relatives and officials to present a personal and long awaited Vietnamese perspective to the war.

Over the years, Raul Ries, a military veteran (US Marine Corps) has reached out to those who are serving or have served in our armed forces. He has spoken to countless men and women from various theaters of military conflict, after their return home. In 2006, 40 years after fighting in the jungles of Vietnam, Ries experienced flashbacks for the first time. Subsequently, he found three of the men closest to him, who fought alongside of him in the Marine Corps unit ALPHA 1/7, and have suffered the consequences. Together again, they are taking the hill and finding healing.

Through a collection of video diary entries spanning more than a year, Pronouns in Bio delivers an offbeat and charming reflection on transness and identity. Part documentary, part video essay and part musical, the film follows director and star Lucy Rose Shaftain-Fenner, a recently out transgender, autistic woman, as she navigates the first year of her transition. Note: Lucy uses the name Frankie during the film but has since started using the name Lucy.

Since the fall of Saigon in 1975, Vietnamese refugees have built the largest Vietnamese community outside of Vietnam, in Orange County, California. In 1999, "Little Saigon" burst onto the national stage when a store owner displayed a poster of Ho Chi Minh, triggering protests by Vietnamese Americans struggling to reconcile their past demons with their present lives. Saigon, U.S.A. uses this moment to examine this community's changing identity and growing empowerment.

Katie Couric travels across the U.S. to talk with scientists, psychologists, activists, authors and families about the complex issue of gender.

Lucy Rose, a transgender woman, shares her journey of self-love and empowerment since starting hormone replacement therapy three years ago. The film is part animation, part documentary and part VHS archive footage.

She was born in a cave, more than 60 years ago. Now she lives in a village, with many children and grandchildren to look after. Sometimes, she dreams of her dead mother calling her home – to the cave.

Lies can kill. Transgender Nuclear Suicide Sojourner is an exploration of propaganda, lies, and the overwhelming urge to end it all.

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Describing herself as a 'street queen,' Johnson was a legendary fixture in New York City’s gay ghetto and a tireless voice for LGBT pride since the days of Stonewall, who along with fellow trans icon Sylvia Rivera, founded Street Transvestites Action Revolutionaries (S.T.A.R.), a trans activist group based in the heart of NYC’s Greenwich Village. Her death in 1992 was declared a suicide by the NYPD, but friends never accepted that version of events. Structured as a whodunit, with activist Victoria Cruz cast as detective and audience surrogate, The Death and Life of Marsha P. Johnson celebrates the lasting political legacy of Johnson, while seeking to finally solve the mystery of her unexplained death.

Nearly Really Me follows the story of Karla, a 35 year old professional who knows her life is fine, and yet feels that fine isn't good enough, she wants to feel alive. Trouble is, she has no real idea how to go about it. So she outsources her existential crisis to an internationally respected medium for direction and soon finds herself embarking on a trip to Vietnam for their 5 day spiritual conference, where participants gain knowledge, wisdom and insights delivered unlike any other in the world.

A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

In 1968, Gordon Langley Hall claimed he was a woman misdiagnosed as male at birth because of a genital defect. To correct this, Gordon underwent one of the first sex reassignment surgeries in the United States. Her subsequent marriage to a black auto mechanic and the mysterious birth of their daughter Natasha sent Charleston, SC society into a fury and cast serious doubts on the truth behind Dawn’s story.

Trans is a 1982 Venezuelan documentary short film that offers an intimate look into the lives of a group of trans women and drag performers in Caracas, exploring their experiences in a society marked by transphobia and homophobia. Through interviews and performances, the documentary highlights the resilience and dignity of these women in the face of widespread discrimination and violence. Premiering at the Venezuelan National Cinematheque in 1982, Trans is considered a pioneering work in the representation of the trans community in Latin American cinema.

Putta (Whore) follows the story of three prostitutes living in the town of Foz do Iguaçu, on the triple border between Brazil, Argentina and Paraguay. The film traverses the complexities of each of the three prostitutes personal lives’–from transexuality to family and motherhood–in the context of the brothels and streets in which they work.

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Bounded Intimacy (part of the trilogy of Super 8mm shorts It’s Just Business, Baby) examines the histories of various forms of body labor across the Chelsea and Tribeca districts, renowned as a sites for sex work, sex clubs and illicit sexual activity. Bounded Intimacy explores the seduction of a nameless woman and the camera. The relationship between the two remains unknown and ambivalent as to whether or not the encounter is “authentic.” The nature of their relationship is irrelevant as the camera captures the authenticity of the desire in the encounter between the two. (Ayanna Dozier)