Cerebral Palsy Blues

Blue Extra

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

Bluesman

Boogie Man is a comprehensive look at political strategist, racist, and former Republican National Convention Committee chairman, Lee Atwater, who reinvigorated the Republican Party’s Southern Strategy to increase political support among white voters in the South by appealing to racism against African Americans. He mentored Karl Rove and George W. Bush and played a key role in the elections of Reagan and George H.W. Bush.

Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.

Steely Dan has not had a new studio album in twenty years--"Two Against Nature" was worth the wait! This concert, recorded live in New York at the Sony Studios, contains new songs as well as classic hits from the minds of Donald Fagen and Walter Becker. Together, they deliver a unique music experience that is truly unforgettable. Songs: Green Earrings, Cousin Dupree, Bad Sneakers, Janie Runaway, Josie, FM, Gaslighting Abbie, Black Friday, Babylon Sisters, Kid Charlemagne, Jack of Speed, Peg, What a Shame About Me, Pretzel Logic.

Live, intimate, and raw, Sessions For Robert J is the essential audio/video companion to Eric Clapton's 2004 gold, Top 10 Me And Mr. Johnson, tribute to blues legend Robert Johnson. Filmed during tour rehearsals in London and Dallas plus a Los Angeles hotel room and the Dallas warehouse where Johnson made some of his final recordings, Sessions for Robert J finds Clapton performing all Robert Johnson songs with his touring band, acoustically with Doyle Bramhall II and solo-as well as discussing Johnson and his influence. A performance/documentary DVD with 14 tracks (from which the 11 CD selections are taken), Sessions for Robert J is blues heaven.

Taken from the European tours organised for American blues musicians between 1962 and 1969, this release features performances by several popular blues artists, including: Big Mama Thornton, Roosevelt Sykes, Buddy Guy, Dr. Isaiah Ross, Big Joe Turner, Skip James, Bukka White, Son House, Hound Dog Taylor and Little Walter, Koko Taylor and Little Walter, Sonny Terry and Brownie McGhee, Helen Humes, Earl Hooker, and Muddy Waters.

Delve into the musical influences of iconic rockers Led Zeppelin, whose epic brand of arena rock grew out of a deep love of the blues, the skiffle and folk rock. Music historians and authors join producers Joe Boyd and Larry Cohn, as well as performers John Renbourn, Chas McDevitt and Davey Graham, in their analysis of the band's musical roots. An enthralling section also explores Zeppelin's fascination with the occult.

In "The Soul of A Man," director Wim Wenders looks at the dramatic tension in the blues between the sacred and the profane by exploring the music and lives of three of his favorite blues artists: Skip James, Blind Willie Johnson and J. B. Lenoir. Part history, part personal pilgrimage, the film tells the story of these lives in music through an extended fictional film sequence (recreations of '20s and '30s events - shot in silent-film, hand-crank style), rare archival footage, present-day documentary scenes and covers of their songs by contemporary musicians such as Shemekia Copeland, Alvin Youngblood Hart, Garland Jeffreys, Chris Thomas King, Cassandra Wilson, Nick Cave, Los Lobos, Eagle Eye Cherry, Vernon Reid, James "Blood" Ulmer, Lou Reed, Bonnie Raitt, Marc Ribot, The Jon Spencer Blues Explosion, Lucinda Williams and T-Bone Burnett.

Experience 5 days of rocking, crowd pumping Blues competition packed with passion, music, and suspense. Discover the people who keep The Blues alive and the powerful international impact of America’s musical gift to the world.

Originally produced in 1997 as part of the Classic Albums television series, this newly edited, expanded edition features almost 40 minutes of additional content not see in the original feature. Bassist Noel Redding, drummer Mitch Mitchell and co-manager Chas Chandler detailed their contributions while engineer Eddie Kramer re-examined the many multi-track tapes created during the sessions. Help from Jimi's `friends and passengers' came by way of new interviews with drummer Buddy Miles, Jefferson Airplane bassist Jack Casady, Traffic's Dave Mason and Steve Winwood, among others.

John Mayer: Someday I'll Fly chronicles the musical evolution of one of the most influential solo artists of his generation. Featuring rare demos, interviews and live performances; it is told in it's entirety from Mayer's perspective. Centered mostly on his career and professional accomplishments, Someday I'll Fly strips away the typical gossip surrounding Mayer to provide an intimate look at the life and career of a lauded musician.

Blues as a genre shaped the sound of jazz in the early 20th century and directly led to the creation of rock 'n' roll in the '50s. The scales, chords, and progressions of blues as a musical form can be found in styles from jazz to rock to contemporary R&B.

Blurring the line between documentary and fiction, THE BLUES UNDER THE SKIN dramatizes the tumultuous relationship of a young couple (Onike Lee and Roland Sanchez) as they struggle to overcome the barriers of poverty and prejudice that keep them from finding happiness together.

Hellhounds On My Trail is a tribute to the influence of Delta Blues legend Robert Johnson and the effect that he has had on today's music. The film was made in conjunction with the "American Masters Series" week-long tribute put on by the Rock and Roll Hall of Fame and chronicles the legacy of Robert Johnson through interviews and speeches by a number of musicologists and through the performances of Robert Johnson's work by a number of fairly popular contemporary artists. The film features performances from Rob Wasserman and Bob Weir from the Grateful Dead; Keb' Mo; Robert Lockwood Jr.; G Love and Special Sauce; Gov't Mule and a lot of other performers.

Director — and piano player — Clint Eastwood explores his life-long passion for piano blues, using a treasure trove of rare historical footage in addition to interviews and performances by such living legends as Pinetop Perkins and Jay McShann, as well as Dave Brubeck and Marcia Ball.

One of the most popular rockers of the 1950s and early 60s, Fats Domino and his record sales were rivaled then only by Elvis Presley. With his boogie-woogie piano playing rooted in blues, rhythm & blues, and jazz, he became one of the inventors, along with Presley, Chuck Berry, Jerry Lee Lewis and Little Richard, of rock ‘n’ roll, a revolutionary genre that united young black and white audiences.

During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.

The story of James Cotton, harmonica powerhouse, whose music shaped blues and rock. Orphaned at 9, Cotton’s life tracks America’s history—from the post-depression cotton fields of the Mississippi Delta to being mentored by the original Delta bluesmen, to Chicagoland’s artistic reinvention to the live music scene in Austin, Texas.