Trespassing or Close Encounters of the 3rd World

The relationship between the city and a car, through a dialogue where a common reality and "making a city" are disputed and revealed.

Sound progression of two opposite landscapes.

The poor may always have been with us, but attitudes towards them have changed. Beginning in the Neolithic Age, Ben Lewis's film takes us through the changing world of poverty. You go to sleep, you dream, you become poor through the ages. And when you awake, what can you say about poverty now? There are still very poor people, to be sure, but the new poverty has more to do with inequality...

A musical documentary accompaniment to the 1994 benefit compilation album concerning AIDS in the African-American community.

Adam Pearson - who has neurofibromatosis type 1 - is on a mission to explore disability hate crime: to find out why it goes under-reported, under-recorded and under people's radar.

The End of Poverty? asks if the true causes of poverty today stem from a deliberate orchestration since colonial times which has evolved into our modern system whereby wealthy nations exploit the poor. People living and fighting against poverty answer condemning colonialism and its consequences; land grab, exploitation of natural resources, debt, free markets, demand for corporate profits and the evolution of an economic system in in which 25% of the world's population consumes 85% of its wealth. Featuring Nobel Prize winner Amartya Sen and Joseph Stiglitz, authors/activist Susan George, Eric Toussaint, Bolivian Vice President Alvaro Garcia Linera and more.

A VOZ DA ORLA: Tribunal Popular da Orla

Ungleichland - Wie aus Reichtum Macht wird

Documentary film by the Danish TV channel DR about sexual abuse and suicide in Tasiilaq, Southeastern Greenland.

DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.

Exposes how companies are desperately rebranding as socially responsible — and how that threatens democratic freedoms.

The anecdotes lived with Pimpi conclude in a tragic experience for his family. The story takes place in a small town in the middle of the Colombian Pacific jungle. Past and present mix to form a story where the town and its inhabitants are witnesses of the struggle of black people.

In US society, people of East Asian heritage are often perceived through an obscuring lens of ethnic and cultural stereotypes. In STOLEN GROUND, six Asian-American men talk about their experience of the highly racialized United States, and consider how racism has affected their lives and those of their family members.

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

A man is fascinated by the structures and environments surrounding him and willing to break external and internal limitations to approach them.

Jamie Johnson takes the exploration of wealth that he began in Born Rich one step further. The One Percent, refers to the tiny percentage of Americans who control nearly half the wealth of the U.S. Johnson's thesis is that this wealth in the hands of so few people is a danger to our very way of life.

La Meilleure Façon de tracer

The film looks at men and women of color in the U.S. Merchant Marine from 1938-1975. Through chronicling the lives of these men and women who, with a median age of 82, are beset with a host of life-threatening illnesses, the movie tells how they navigated issues of racism, disparities in the workplace, gender and familial relations.

A boy migrates from Guerrero to Colima in Mexico, guided by the illusion of his parents, who want him to study high school. Nevertheless, the inequality barriers force him to work as a sugarcane harvester.

Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.