Midnight Movies: From the Margin to the Mainstream

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The story of Leon Vitali, who surrendered his promising acting career to become Stanley Kubrick's devoted right-hand man.

This documentary is featured on the DVD for Captain Blood (1935), released in 2005.

A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

A look at legendary Japanese animator Hayao Miyazaki following his retirement in 2013.

A cheerful road movie all about Belgian films at Cannes over the past 70 years. Filmmakers from the past converse with those from the present to paint the portrait of a cinema that is both diverse and free. An account of Belgium’s participation in the greatest film festival in the world.

Interview-based documentary looking back on the making and reception of René Clément's 1952 film "Forbidden Games."

The film follows the story of a San Francisco Pentecostal minister Richard Gazowsky on his quest to shoot a groundbreaking fantasy film called Gravity: The Shadow of Joseph (described by him as "Star Wars meets The Ten Commandments"). The film follows him and members of his church as they go through pre-production and fly to Alberobello, Italy, for initial shooting that turns out to be marred with difficulties.

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

Aspiring model Kathy can't seem to get a break. The tide finally turns in her favour after Kathy meets the devil, who gives her a pair of magical gold shoes that enable Kathy to achieve her goal of becoming a famous and successful model. However, said deal with the devil comes at a significant spiritual price.

Since its release in 1968, Planet of the Apes, the masterful film directed by Franklin J. Schaffner and starring Charlton Heston, and its subsequent sequels have asked its viewers challenging questions about contemporary society under the guise of a bold science fiction saga: a fascinating look at a hugely successful pop culture phenomenon.

A look at the roller coaster life of Sam J. Jones since his role as Flash Gordon, his struggles and successes, and the aftermath of when he went up against one of the most powerful producers in Hollywood.

The 60s was the birth and ascension of the French New Wave. Characterised as an avant-garde film movement and created by directors like Godard and Varda, it give birth to iconic actors such as Bardot and Belmondo.

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

The 8th Plague is the story of a woman named Launa who is investigating the disappearance of her sister, Nikki. Nikki had gone camping in the mountain town of Halcyon Springs and never came back. Becoming more and more frustrated, Launa realizes that she must find her sister on her own with the help of Mason, a mysterious local man with a shadowed past.

The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

People mysteriously start receiving voicemail messages from their future selves, in the form of the sound of them reacting to their own violent deaths, along with the exact date and time of their future death, listed on the message log. The plot thickens as the surviving characters pursue the answers to this mystery which could save their lives.