Midnight Movies: From the Margin to the Mainstream

Documentary about Buster Keaton's The 'High Sign' (1921) and Keaton's developing style.

Short documentary on the making of Buster Keaton's One Week.

Documentary about the development of Buster Keaton's The Haunted House (1921).

The special effects in The Play House (1921) are discussed.

The actors in My Wife's Relations (1922) are discussed in this documentary.

A short documentary on Buster Keaton's The Frozen North (1922), regarding how the events of Fatty Arbuckle's trial and William S. Hart's quick condemnation of Arbuckle, were reflected in the film.

Documentary on Day Dreams (1922), a Buster Keaton silent comedy.

This visual essay by John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, reveals the locations where Keaton's 1923 comedy feature Three Ages was filmed in Hollywood, USC, and Los Angeles.

Documentary about the making of Buster Keaton's silent comedy classic, Sherlock Jr. (1924).

An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.

Documentary about the making of the Spierig Brothers' 2014 film PREDESTINATION that is based on Robert A. Heinlein's 1959 science-fiction short story '—All You Zombies—'. Through interviews with cast and crew, film clips and behind-the-scenes footage, this documentary thoroughly explores how the film came to be from casting to pre-production to principal photography to post-production. Interviewees include writers/directors Michael and Peter Spierig, producers Paddy McDonald and Tim McGahan, director of photography Ben Nott, special makeup effects designer Steve Boyle, production designer Matthew Putland, special makeup effects supervisor Samantha Lyttle, costume designer Wendy Cork, film editor Matt Villa, and actors Sarah Snook, Noah Taylor and Ethan Hawke.

A feature-length documentary focusing on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen, writer-director of "Black Caesar," "It's Alive," "God Told Me To," "Q," "The Stuff," and many more.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A cheerful road movie all about Belgian films at Cannes over the past 70 years. Filmmakers from the past converse with those from the present to paint the portrait of a cinema that is both diverse and free. An account of Belgium’s participation in the greatest film festival in the world.

Gina Carano in Training

Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Bruce Campbell discusses his memories of making Sundown: The Vampire in Retreat.

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.