Chimera

A short experimental documentary film about a teenager who suffers from mental health issues as a result of childhood bullying.

The embodiment of ultimate evil, a glowing orb terrorizes a young girl with bizarre stories of dark fantasy, eroticism and horror.

A visual allusion of the cleansing of the temple to numerous crimes. The film draws an arc from the Crusades to the Holocaust and the Vietnam War.

Crying of Angels is the first documentary film about the gay community in the history of Slovak cinema. The collage of stories from the lives of the protagonists does not attempt to objectively portray this minority in post-communist society, but is an author's testimony about the existence of a people in conflict with social norms and with themselves.

A group of queer Latinx skaters struggle with crippling mental health and societal expectations in Southern California. In their local skate community, they find cathartic release, chosen family and mastery of empowerment.

In this animated tale, a tiny village is destroyed by a surging glacier, which serves as the deadly domain for the evil Ice Lord, Nekron. The only survivor is a young warrior, Larn, who vows to avenge this act of destruction. The evil continues, however, as Nekron's palace of ice heads straight towards Fire Keep, the great fortress ruled by the good King Jarol. When Jarol's beautiful daughter, Teegra, is abducted by Nekron's sub-human ape-like creatures, Larn begins a daring search for her. What results is a tense battle between good and evil, surrounded by the mystical elements of the ancient past.

Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time.

Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.

The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.

To find Ilona and unlock the secrets of her disappearance, Karas must plunge deep into the parallel worlds of corporate espionage, organized crime and genetic research - where the truth imprisons whoever finds it first and miracles can be bought but at a great price.

The argument with the soul becomes a crucial phase of the individuation process, since, after all, it is our most personal ambiguity that, with cunning and delusion, drags incredible things into life, as the desire of an inert body, convincing us of moving, touching the earth, getting tangled up and staying.

One year before the Berlin Wall fell, this silent black&white documentary from 1988 is a profile of West-Berlin: places and people, moods and locations; you eventually see "Checkpoint Charlie" still in function.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.

Documentary about filmmaker Jean Grémillon.

Stop-motion experiments using B&W 16mm film. Shot using a Bolex, transferred to video, DVD, mp4. No soundtrack.

Silhouette film. Based on Bizet’s opera “Carmen”.

Directed by Emanuelle Pasorelli, this arthouse film makes little sense. A man, who may or may not be a thief, with a nagging wife hears a beautiful woman in his head, and both conspire to make him go mad as he lives in anguish over his role in his friend Luigi's death. Actor's mouths rarely move, yet the player can hear their voices, a technique the director used in several films. The ladder in the end symbolizes something, that is unknown of what.