The amazing and epic story of how the Paris Opera House, the Palais Garnier, was built from 1852 to 1870, thanks to the decisive impulse of the French Emperor Napoleon III; a story that is also that of the birth of a golden age for orchestral music, opera and ballet; of the rise of the urban bourgeoisie turned social elite; and of a certain mysterious inhabitant of the darkest corners of a legendary place.
The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.
This film undertakes a journey into the amazing parallel universe of East Berlin’s fashion designers and experts in the art of survival. For, in the midst of the constraints of life in the GDR, there existed a fantasy world where it was possible to dance to another tune, be individual and even provocative. The most important characteristic of this bohemian scene was one’s per- sonal style. But this certainly wasn’t something that could be bought off the peg in the GDR. In this parallel universe it was up to you to create your own individual image – with your own hands. This film tells the story of the desires, the passion and the dreams that were tried and tested, lived and performed in the shadow of the Berlin Wall.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.
The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.
The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.
Dragan Wende has lived in Berlin since the '70s and has seen the city change through the years. His nephew comes to live with him as Dragan remembers the better days he lived as a Yugoslavian immigrant in a divided city.
13 August 1961: the GDR closes the sector borders in Berlin. The city is divided overnight. Escape to the West becomes more dangerous every day. But on September 14, 1962, exactly one year, one month and one day after the Wall was built, a group of 29 people from the GDR managed to escape spectacularly through a 135-meter tunnel to the West. For more than 4 months, students from West Berlin, including 2 Italians, dug this tunnel. When the tunnel builders ran out of money after only a few meters of digging, they came up with the idea of marketing the escape tunnel. They sell the film rights to the story exclusively to NBC, an American television station.
Documentary about the current hustler scene in Berlin. Based on interviews with former and active prostitutes, the realities of male prostitutes in Berlin are treated. The film is objective, and records the hustler scene as a social Submilieu, which is characterized by both tragic fates, as well as everyday things and routines. Not only the direct sale of sexual services is discussed, but also other aspects associated with male prostitution: poverty, drug addiction, AIDS, crime, migration, love and partnership.
Documentary made for Dutch television about Nick Cave in Berlin in 1987.
Documentary about the social microcosm of Hasenheide, a 50 hectar green area in Berlin, located between Kreuzberg and Neukölln. In this park, you'll find old women with their dogs, young football players, Turks at the barbecue, as well as nudists. For the residents, Hasenheide is sports area, living room, pub and runway all at once. A refutation of the media panic surrounding the park as a place of drug dealing and violence.
BERG investigates a historical site through an alternate shift between documentary and fictional representation. A soundscape produced from samples from a series of mainstream Spy Movies overlaps a selection of classic shots, inspired by the most repetitive cinematic clichés that are to be found in the espionage genre.
A documentary highlighting some of the oddest, strangest and more grotesque examples of human behavior. Included are a tour of the Grand Guignol theater in Paris, a man who sticks long needles through his body, reindeer being castrated, and footage of lesbians and strippers.
Berlin is a metropolis, a big city with international flair and at the same time the habitat of countless raccoons, foxes, bats, squirrels, hedgehogs and beavers. There is at least one pair of birds for every human inhabitant of Berlin, and nowhere else are there so many sparrows and nightingales. Swarms of bees harvest honey from almost half a million city trees, a badger roams through a backyard, and praying mantises lurk for prey in railroad tracks.
A backstage and on-stage look at Nicki Minaj's career during the Pink Friday Tour, festivals, and more.
At the end of the Cold War, something new arised that should influence an entire generation and express their attitude to life. It started with an idea in the underground subculture of Berlin shortly before the fall of the Wall. With the motto "Peace, Joy, Pancakes", Club DJ Dr. Motte and companions launched the first Love Parade. A procession registered as political demonstration with only 150 colorfully dressed people dancing to house and techno. What started out small developed over the years into the largest party on the planet with visitors from all over the world. In 1999, 1.5 million people took part. With the help of interviews with important organizers and contemporary witnesses, the documentary reflects the history of the Love Parade, but also illuminates the dark side of how commerce and money business increasingly destroyed the real spirit, long before the emigration to other cities and the Love Parade disaster of Duisburg in 2010, which caused an era to end in deep grief.
Follows the 1936 Berlin Olympics when Black athlete Jesse Owens won 4 golds against the backdrop of Hitler's racist Nazi regime in Germany.
With a critical eye, the film wanders through the streets of Kreuzberg and captures the voices of workers who report on their difficult working conditions and the lack of kindergartens. The film is the result of a collaboration between DFFB students and the Kreuzberg-Nord neighborhood group. It provides interesting insights into the struggles of the neighborhood group with the Senate for funds and rooms to accommodate the children.