Berlin – Bauplatz der Jugend

In today's climate debate, there is only one factor that cannot be calculated in climate models - humans. How can we nevertheless understand our role in the climate system and manage the crisis? Climate change is a complex global problem. Increasingly extreme weather events, rising sea levels, and more difficult living conditions - including for us humans - are already the order of the day. Global society has never faced such a complex challenge. For young people in particular, the frightening climate scenarios will be a reality in the future. For the global south, it is already today. To overcome this crisis, different perspectives are needed. "THE UNPREDICTABLE FACTOR" goes back to the origins of the German environmental movement, accompanies today's activists in the Rhineland in their fight against the coal industry and gives a voice to scientists from climate research, ethnology and psychology.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

13 August 1961: the GDR closes the sector borders in Berlin. The city is divided overnight. Escape to the West becomes more dangerous every day. But on September 14, 1962, exactly one year, one month and one day after the Wall was built, a group of 29 people from the GDR managed to escape spectacularly through a 135-meter tunnel to the West. For more than 4 months, students from West Berlin, including 2 Italians, dug this tunnel. When the tunnel builders ran out of money after only a few meters of digging, they came up with the idea of marketing the escape tunnel. They sell the film rights to the story exclusively to NBC, an American television station.

A documentary about Berlin's former airport Tempelhof. A film about Departures and Arrivals. And about those Berliners who come here to escape from their daily lives and those refugees who came here to finally arrive somewhere.

In 2019, Union Berlin was promoted to the Bundesliga. Four years later, the traditional East German club qualifies for the Champions League and achieves something that few would have thought possible. Despite all the euphoria over the triumph, the pressure to remain strong in sporting and economic terms also increased, as did the fear of falling into a conflict of identity between tradition and change. The fact that the soccer underdog from Köpenick still manages to retain its magic is primarily down to the people who work behind the scenes to keep things running smoothly and enthusiastically. Always at their side: a loyal fan base that is prepared to follow their club's path unconditionally. Hendel follows the team behind Union for almost two years, right up to their entry into the top flight, and takes a unique, particularly personal and authentic look behind the scenes of the club.

In his exploration of the cultural dynamic between East and West, Adolf Muschg, the most significant Swiss writer since Frisch and Dürrenmatt, searched for the other in himself in order to understand otherness.

A documentary highlighting some of the oddest, strangest and more grotesque examples of human behavior. Included are a tour of the Grand Guignol theater in Paris, a man who sticks long needles through his body, reindeer being castrated, and footage of lesbians and strippers.

The viewpoints of women from a country that no longer exists preserved on low-band U-matic tape. GDR-FRG. Courageous, self-confident and emancipated: female industry workers talk about gaining autonomy.

BERG investigates a historical site through an alternate shift between documentary and fictional representation. A soundscape produced from samples from a series of mainstream Spy Movies overlaps a selection of classic shots, inspired by the most repetitive cinematic clichés that are to be found in the espionage genre.

At Hotel Astoria, the former hotspot of Leipzig, guests were served champagne and turtle soup while the Stasi listened in. Animated memories from times gone by.

Docudrama about life, career and breakdown of Erich Mielke, the former Security chief of East Germany.

Follows the 1936 Berlin Olympics when Black athlete Jesse Owens won 4 golds against the backdrop of Hitler's racist Nazi regime in Germany.

A crypto-trader and an ex-clergyman travel to Berlin to throw a sex party. Filmmaker Ayoto Ataraxia documents them and their sex-positive community with a phone during the week leading up to the event, discussing sex and life. But will they cum?

This is the tale of a young woman, growing up in the age of the internet and turning the search for oneself into a public spectacle, allowing kids from all over the world to live their life through hers. Through her fragmented personalities you see the emergence of a new generation, in which the concept of a fixed identity has grown old.

In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.

In Germany, left-wingers do not have to justify their views. They have established their opinions across the board, not among the people, but in the circles that set the tone, i.e. where they prefer to be at home. Those on the left have the wonderful feeling of always being right. In politics, the left has often been wrong, but somehow that doesn't matter, they are always credited with the best motives. Why is that? Jan Fleischhauer has spent a large part of his life among left-wingers - from his parents' home to school and university to the journalists' milieu in which he has worked for two decades. Now he takes a close look at them, with the detachment of someone who at some point discovered that he no longer belonged. The book is an analysis, polemic and personal experience report. A foray through the empire of the left.

Volker Koepp documents life in the Dorotheenstadt in Berlin-Mitte, which was called "Feuerland" in the 19th century.

Ahead of releasing 'Idols', his most personal album to date, and before anyone had heard a note, Yungblud and his touring family travelled to Berlin, where he would perform and record these brand new songs live for the very first time. A personal journey of change, confidence and rock-and-roll chaos, set against a city that has always celebrated counterculture and creativity, this is a revealing and uncompromising documentary about a generational artist finding his own voice.