Ghost Puppet

A sailor, known as the Adventurer, searching for a lost American explorer discovers him being held hostage on a remote island in the South Sea. The man is held captive by the island's natives, who have placed him under a voodoo spell known as "obeah.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

A miser dies of shock when the ghost of a poor woman appears.

A man discovers that he has two personalities--and one of them is a notorious strangler.

Barry Craven meets former sweetheart Gillian Locke, who is visiting India with her father. Craven's love for Gillian is revived, but he already has a wife, Lolaire, a native. In a jealous rage, Lolaire kills herself, freeing Craven, who returns to England and marries Gillian. His Indian servant, Kunwar Singh, casts a spell on Craven, causing him to leave Gillian and to go into the Algerian desert. There he joins Said, an old university friend who is the son of an Algerian sheik. Gillian follows, the servant is killed, and with him dies the spell, "The Shadow of the East."

It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.

A youth waits for his brother to return home from a bloody war. He encounters something very nasty and evil in the basement of his house, claiming his older brother has in fact died.

Rumored to have been lost, Antrum appears as a cursed film from the 1970s. Viewers are warned to proceed with caution. It’s said to be a story about a young boy and girl who enter the forest in an attempt to save the soul of their recently deceased pet. They journey to “The Antrum,” the very spot the devil landed after being cast out of heaven. There, the children begin to dig a hole to hell.

A group of jaded 1920s socialites defile the shrine of an ancient, evil sect and suffer horrific consequences as a result. Screened publicly only once, this film is considered lost as the answer print was badly damaged following its premiere screening. No other prints are known to exist, though fragments and still photos have surfaced from time to time.

Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings.

Lon Chaney plays a Parisian sculptor who falls in love with his model (Mildred Manning). She, however, cares nothing for him. The film is considered lost.

A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.

The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.

1957 Vampire/ghost horror/drama from Malaysia

One of the two earliest horror films ever made. This film is presumed lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.

Shin Yotsuya Kaidan

Yotsuya Kaidan

Yotsuya Kaidan (Jitsoroku Oiwa)