The Murderers

Earthquakes in central Korea turn out to be the work of Yongary, a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

In this apparently lost film, a beautiful dancer's sexual allure is used by an evil cripple to entice men to their deaths. Falling in love with one of the potential victims, she is told by the cripple that he will set her free if her lover, actually a murderer himself, survives and escapes a bizarre labyrinthe which runs beneath the cripple's house.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.

When a sculptor falls in love with his model but finds his love unrequited, he plans to kill his love rival with the help of the owner of a Horror Wax museum. The film is considered lost.

A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.

A man assists a woman to dispose of the body of her stepfather....

On the American frontier in the last decades of the 19th century, Billie is a female cowboy who fights a series of bad men in this film serial.

While visiting Egypt, Mrs. Graham steals a famous jewel called "The Eye of the World" from a mummy's sarcophagus and returns to the United States, planning to use the gem as collateral for a loan. Kah, the priestess in charge of protecting the tombs of Egyptian nobility, is soon on her trail , determined to retrieve the gem. Mrs. Graham's lovely daughter, Betty, agrees to marry a suitor for money to prop up her father's failing business. When the bridegroom is murdered on the couple's wedding night, and the body disappears, Phil Kelly decides to lend a hand in solving the crimes.

Doctor Zorba and his followers plan to bring Dracula back to life using electronic means, using blood from victims. Batman saves Marita Banzon and defeats Dracula's creators.

The TARDIS materialises not far from Paris in 1794 — one of the bloodiest years following the French Revolution of 1789. The travellers become involved with an escape chain rescuing prisoners from the guillotine and get caught up in the machinations of an English undercover spy, James Stirling — alias Lemaitre, governor of the Conciergerie prison.

Betsy Thorne (Bennett) travels to investigate a missing man where she overhears a conversation between the sheriff and an imported detective that reporters are barred from the house and grounds where the mystery has taken place. She comes across a maid sent to the house from Richmond, and so frightens her that she gains a chance to act in her place. During the first night at the house she is terrified when she sees a ghostly figure come from the grand organ. The house is roused by her screams as she flees the room, and she is forbidden from going back there by the sister of the missing man. During the following night she is locked in her room during a thunderstorm, and while escaping through a window sees the ghostly figure again in the family graveyard. She makes an investigation which starts from a particular chord played at the grand organ. They find that certain keys cause a secret door in the organ to open, revealing a secret passage to a family tomb.

The film is about a woman who experiences frightening visions after visiting an insane asylum where one of the inmates claims to be Count Dracula (here following the Hungarian spelling Drakula). She has trouble determining whether the inmate's visions are real or merely nightmares.

A lost film based on the 'Reign of Terror', a real-life series of several dozen murders committed against the Osage people. 'Tragedies of the Osage Hills' was directed by James Young Deer, the first known Native American film director, and boasted a cast of “hundreds of real Indians.” Described as a dramatic thriller interwoven with a “tender love story”, the film’s premiere in Cushing, Oklahoma occurred just months after the arrest of Ernest Burkhart, the subject of Martin Scorsese’s similarly themed 2023 film 'Killers of the Flower Moon'. The 'Cushing Daily Citizen' described 'Tragedies of the Osage Hills' as having a fictitious ending of the Osage and white men united under an American flag.

Vera Souroff, a young Russian girl, is kidnapped off the street and raped by one of three officers of the Czar's guard. The crime is brought to the attention of the Czar, but Vera cannot tell which of the three officers is the guilty man. The Czar orders Count Nicho, the eldest of the three, to marry the girl, turns over the trio’s fortunes to her and imprisons the men. When the revolution breaks out, at the risk of her own life, Vera saves her husband knowing he holds the key to the identity of her attacker.

During the later years of Goryeo Dynasty (918-1392), a talented martial artist is murdered. His resentment makes him born again as Bulgasari, a monster that grinds and eats up iron. The monster takes his revenge on the traitors responsible for his death.

An old Indian legend tells of the supposed ability of persons who have been turned into wolves through magic power to assume human form at will for purposes of vengeance. This film is presumed lost.

A man of mystery known only as Doctor Terror recounts seven stories from his casebook of personal encounters with evil and the supernatural.

Frivolous young Marie de Severac is frightened into following a more virtuous path, when her father relates a story in which an equally frivolous woman is entombed alive. The movie was Rex Ingram’s directorial debut, and he later remade the film as Trifling Women in 1922. Black Orchids is considered to be a lost film.