A young woman finds herself stuck with a clump in her head. Unsure what to do about it, she roams the streets of Dublin in an attempt to rid herself of the monotonous thuds and escape her roommate's acting practise. Safe travels you old clump.
AEOLUS
A man leaves suddenly. Two men chase him. A woman in black and white. The landscape – the one outside and the one inside of the characters – takes over. Landscape of images and words.
A former football star turned real estate broker meets with rich, spoiled young Billy to close a deal on a mansion, and nothing goes according to plan.
One-night, little sister woke up in a dream. In that dream world, she can do anything. She thinks this is the world she wants. A world where she wouldn't feel excluded. her ideal world. However, in the dream world, the little sister actually found what she really wanted.
Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).
Everything changes in P's haunting life when he comes across a peculiar being dancing in the middle of a forest.
Childhood memories continue to live inside me. Some of the most painful ones are the ones that echo the longest.
A young person records a quiet walk through the woods. What begins as a casual video slowly reveals something harder to say.
From its creation to its destruction, we follow a humanoid robot whose task is to take care of a Hungarian high-school. Every day is a new kind of torture in this weird, anti-comedic experimental short film.
In an inner world suspended between oblivion and creation, a female figure moves through a dreamlike space where forgotten ideas take shape. Genesis is an experimental piece that explores the journey toward the origin of an idea — of oneself.
By swallowing a pill of reality, the Bird feels all the sorrow of the world, where paradise and the unknown become hell for those who carry with them daily pain and wake up without knowing if they are really alive or not.
Designing artificial relationships between found or stolen elements is a technique that seeks to discuss found footage. Credere a tutto tells about houses and living beings and has developed by intertwining ancient photos, a text, a film sequence and original video footage. Materials that take on time, space and new meanings within the expanded vision of the so-called “spectators”. A techno music session while séances and panoramic views of derelict houses question us about what we see and what we cannot see.
Lonely
Último Desejo
The movie chronicles a fragmented voyage through the mind and experiences of a person on a deeply depressive state trying to receive treatment.
An exploration of two souls inhabiting bodies from 1940's Hungary, and the beginning of the digital age.
Carta ao Pai is an experimental film that tells the raw and sensitive story of a daughter who lost her father in a traumatic way and who sees the need to bury the past by telling him everything she didn't have time to say.
A man and woman are drawn together, entangled in the lifecycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives.
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