Acoustic Shadows

Plaga Alada

undressed

An important sensory organ, the eye, is damaged. The exhausting healing process takes us on an inner journey full of pain, fragility and mental unrest, in which even superstition and witchcraft seem to have an influence on recovery.

Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.

Short experimental computer animation by Jules Engel

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

Experimental short animated film by Péter Molnár

An experimental, non-sensical comedy about bringing a stone age man back to our time, made with the app “Plotagon”.

An experimental short from Oskar Fischinger

A short experimental animation by Jules Engel

The encounter of a wound, a body and a city results in the alteration of the whole.

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh.

Short experimental animation by Jules Engel

Hacking a claw machine inside C4D.

An experimental avant-garde film where the character battles with herself, struggling to understand and embrace her true identity. Blending dream-like and reality sequences together, the film connotes inside the character’s mind. Escaping to different parts of her subconscious, she is met with confrontation, fear & desire. This piece of work highlights themes of identity, surrealism & subjectivity, where the instability of the self is at the forefront of the film. The film uses elements of mixed media montage to portray the character’s inner thoughts.

Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound.

Beneath the skeleton, the flesh that rustles, turns and returns to our heads before rotting in silence. This is the story of this flesh. This surrealist narrative draws us into a darkened world of the unconscious. No matter how bizarre the spectacles we watch are, thanks to superb animation they flow smoothly and surely.

A disturbing cinematic opera from Melbourne film-maker, Michael Lee, presenting an intense emotional collage of film clips, original footage and complex object animation, structured loosely in the form of a Catholic Mass, to communicate the film-maker's traumatic Catholic experience. The film is intended in part as 'anti-imagery' in response to the iconography of Catholicism.

A 16mm archive from 1964 intervened as an emotional diary during the first three months of the COVID-19 pandemic is the basis of this film, reinterpreted in the montage of the sound design, in which the images are reinterpreted, emphasizing the soundscape of the protests from 2020 to 2023 in the streets of Cajamarca, Cusco and Lima, three regions of Peru, questioning the constant political and social crisis.