An abstract computer-generated film. The image is of squares revolving in space around and through each other. Colors and forms multiply and divide against a beautiful symphonic score by George Kleinsinger.
Pelas ruas ou: Como as lembranças me fizeram ficar perdido em meu próprio ser
Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.
A chain reaction as a new Olympic sport.
Video art by Vibeke Sorensen made at Calarts in 1989
A short experimental film that thematizes dreams and nightmares in a surrealistic way. The basis of the movie is found in the poetry created by the two directors, so the film partly seems like stringed lyrical motifs, open to arbitrary interpretation, giving the impression of poetic images arranged in sequences. Combined techniques were used, so in addition to recording with a camera, pixilation, object animation, collage and liquid animation are featured.
Smoke
This ultra-short, experimental video art piece serves as a stark apparatus for decoding the aggressive rhythm and discontinuous production of contemporary life. The work is built upon a Stop Motion loop composed of just 12 frames, using this brief, intense format as an installation of shock that conveys the systemic pressure of a speed-obsessed society. The central figure, the rat, is placed to represent the archetypal subject of the urban underclass—the individual whose labor is rendered invisible and who is constantly forced into a struggle for survival. What we observe is not an advancement, but a fruitless scurry trapped in a vicious cycle. As the image repeats, it whispers that what we perceive as progress is, in fact, nothing more than an exhausting, self-referential recurrent routine. Rhythm/12 Frames compels the viewer to question both their own limits of perception and the grim reality of existence reduced to a survival mechanism within the system
Experimental Clicks
L'Ondomane
Machinima-adaptation of Albert Camus book "L'étranger", done in Grand Theft Auto: San Andreas.
Following a morphing blob of flesh through an artificial landscape of urban textures we take part in a process of creation and adaption. From a simple square to increasingly complex moving patterns, the organic seems to get lost in the artificial which begins to dominate rhythm and structure of the world.
With the abundance of antiques and culture in Jordan, you can only see so much of the essence of traditional craftsmanship in a blink of an eye. This film showcases the beauty of old Hong Kong, all in a glimpse of textiles, flasks, paintings and statuettes.
A minimalist optical sound meditation on simplicity and repetition building complex arrangements of audio-visual oneness, where the most basic geometric shapes draw intricate visual and sonic patterns.
Proxima B is an experimental video shot entirely in stop motion. The camera moves frame by frame in models on which video projections animate the sets. Some plant elements were added to the drawing, frame by frame.
Translating and encapsulating the director's personal childhood experiences as well as past lived experiences, You build a home in my mind comprises of playground rides, the everyday scenery outside the window of the artist's studio, and unique, special objects recalled from memories—weaving together a melody that lures the viewers to roam and wander. As the boat navigates between reality and imagination, resembling a journey of constant loss and persistent search, the scenes become slightly different when they reappear, these scenes alluding to the repetitiveness and uncertainty of life.
Appearance, hormone, sex appeal. When we are tired of everything about these, all we want to do is break, demolish, and destroy. With crazy cut-out animation, this film is trying to release us with the strong beat of the song and search for revenge in a chaotic but unique world.
Quakes
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
Flowers dance and transform in water, using strobe effects and superimposition. A meditation on life cycles through botanical animation, continuing Jodie Mack's material exploration.