Flowers #3 (Kissed by the Sun)

Ten years ago, Arjun Singh and Tara Kapoor were inseparable-two young souls lost in love, dreaming of a future together. Their days were filled with laughter, stolen moments, and whispered promises of forever. But forever never came. Now, a decade later, Arjun finds himself in the dead of night, at an almost desolate five-star hotel room, a far cry from the life he once imagined. He is no longer the boy who believed in love-he is a man hardened by crime, preparing for the biggest drug deal of his life, one that could set him free. As the clock strikes 3:33 AM, shadows of the past begin to creep in. He sees glimpses of Tara-her laughter, her touch, her presence-as if time itself is mocking him.

Experimental mash-up of circus and sideshow footage.

Four young men have the same dream in which a mysterious voice tells them to search for Wal-Mart. They each awake and manage to find each other. A soothsayer offers very clear directions to their destination, but secretly plans to sabotage their journey. Several weird mishaps occur on their adventure.

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

In the late 1990s, a family of six settles into their new home on Vancouver Island, as internal dynamics are slowly revealed through the experiences of the youngest child, Sasha. Their fresh start is interrupted by the increasingly dangerous behavior of Jeremy, the family's oldest child.

An immersion into the surreal and dreamlike world of painter, photographer and filmmaker Man Ray (1890-1976), one of the most prolific American visual artists, through four of his short films, brought to life by the atmospheric music of SQÜRL.

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

An Art and a Short Film in which the director records his childhood experiences and memories through the mischievous activities of a boy named Mohammad Saadh.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

An ecstatic exploration of a Chicago parking garage

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

The lights and characters of Fortaleza's nightlife blend into a sensory experience through images stored in the memory of the devices.

Through the opposition of two temporalities, Succession questions the parallel yet divergent evolution of humans and plants. The film explores the confrontation between two living beings, one gradually taking over the other.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

A surrealist, semi-found-footage short about everything and nothing at the same time.

The kings of the card game, tired of serving for the amusement of men, decide to participate in the lives of humans and behave like them.

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

A reflection on loss and nature’s quiet observance in a small nook of the Ozarks. 

Amid Guanajuato's vibrant streets, an aging filmmaker becomes a modern Don Quixote, joined by a spirited young animator as his loyal Sanchia. Together, they navigate themes of mortality, unfulfilled dreams, and the fragile line between madness and clarity, uncovering the transformative power of light, art, and the landscapes that shape our souls.

Inspired by a tumultuous period in the director's relationship with her mother, the film draws a poignant analogy between the phases of their conflict and the ever-changing states of water along the coast of São Paulo, where the director grew up.