To Be Destroyed

In Germán Araujo, director Aldo Novick revives the memory of a journalist who defied censorship during one of Uruguay's darkest periods. Through previously unseen archival footage, testimonies, and music, the film honors the courage of those who reported the truth when it was risky. This powerful documentary is shaping up to be one of the most important Uruguayan film releases of the year.

"Do you think I have a cute bottom?" From Brigitte Bardot's cult line in "Le Mépris" (Contempt), to Mireille Darc's iconic lower back, bottoms have long been the subject of every fantasy. And have often been represented in art! A story of eroticism, but also of censure

Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.

Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America (MPAA) rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

The story of the sexual memoirs of a Victorian gentleman who revealed himself as Walter. He documented his liaisons in a frank series of journals which ran to eleven volumes and 1.5 million words, titled 'My Secret Life'. Within the journals he documented details of his liaisons, the names of the women, their social standing, and their conversation. For a century, this material was considered obscene, its publication illegal. Today, however, it's seen as a unique insight into Victorian social and sexual mores, providing valuable information on class, gender, marriage, fidelity and morality. This film looks at the dark life of 'Walter', and examines the way his journals have shaped contemporary understanding of Victorian society. The film also examines the mystery that has surrounded this story - who exactly was 'Walter'? The film asks whether he could have been Henry Ashbee, a wealthy London gentleman who was obsessed with sex and attained a pornographic library of over 15,000 volumes.

Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.

The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.

The history of Bruguera, the most important comic publisher in Spain between the 1940s and the 1980s. How the characters created by great writers and pencilers became Spanish archetypes and how their strips persist nowadays as a portrait of Spain and its people. The daily life of the creators and the founding family, the Brugueras. The world in which hundreds of vivid colorful paper beings lived and still live, in the memory of millions, in the smile of everyone.

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

As the first part of our investigation, the CORONA.FILM prologue will delve into the science behind the pandemic. Starting at the very beginning, we shine a light on the responses. The aim is not to point the finger; our aim is to tell the whole story in all its complexity, as we believe that justice cannot prevail if only one side of the story is told.

In recent years, more than 2,500 books have been removed from school districts around the US, labeled as banned, restricted, or challenged, and made unavailable to millions of students. By no accident, the themes targeted are the usual scapegoats of the American Right—LGBTQ+ issues, Black History, and women’s empowerment—impeding the power of future generations to develop their own thoughts and opinions on critical social issues. By weaving together a lyrical montage of young readers and authors, THE ABCs OF BOOK BANNING reveals the voices of the impacted parties, and inspires hope for the future through the profound insights of inquisitive youthful minds.

When chaos reigns, while barbaric and fanatical rulers, both ecclesiastical and secular, systematically burn entire libraries, book hunters, secret heroes of history, travel the world saving and copying texts, threatened by the madness of censors, with the noble purpose of preventing the ultimate loss of human knowledge.

One of the greatest playwrights of the 20th century, Arthur Miller created such celebrated works as Death of a Salesman and The Crucible, which continue to move audiences around the world today. He also made headlines for being targeted by the House Un-American Activities Committee at the height of the McCarthy Era and entering into a tumultuous marriage with Hollywood icon Marilyn Monroe. Told from the unique perspective of his daughter, filmmaker Rebecca Miller, Arthur Miller: Writer is an illuminating portrait that combines interviews spanning decades and a wealth of personal archival material, and provides new insights into Miller’s life as an artist and exploring his character in all its complexity.

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

In Maija Blåfield’s documentary, eight former North Koreans talk about what it was like to watch illegal films in a closed society. In addition to the 'waste videos', South Korean films were also smuggled into the country via China.

A documentary about the cultural effect of film censorship, focusing on the tumultuous times of the teens and early 1920s in America.

On January 31, 1857, the French writer Gustave Flaubert (1821-80) took his place in the dock for contempt of public morality and religion. The accused, the real one, is, through him, Emma Bovary, heroine with a thousand faces and a thousand desires, guilty without doubt of an unforgivable desire to live.

OBAIDA, a short film by Matthew Cassel, explores a Palestinian child’s experience of Israeli military arrest. Each year, some 700 Palestinian children undergo military detention in a system where ill-treatment is widespread and institutionalized. For these young detainees, few rights are guaranteed, even on paper. After release, the experience of detention continues to shape and mark former child prisoners’ path forward.