Thank You, Mr. President: The Press Conferences of JFK

In the summer of 2011 twenty Peace Corps Volunteers returned to Sierra Leone, West Africa. For most of them, it was the first time returning to the country since they had served in the 1960’s and 1970’s. They came to reconnect with their friends in Sierra Leone. It was an auspicious time for their trip. The nation was celebrating its fiftieth anniversary of independence from Great Britain. The year also marked the fiftieth anniversary of the Peace Corp's arrival in Sierra Leone.

In the summer of 1966 a group of 65 idealistic Peace Corps volunteers headed for Africa and landed in the dusty, heat-scorched desert of Niger. They stayed for two years working in agriculture, digging wells and starting health clinics for women and their babies. In 2008 five of them returned to Niger to revisit the country, see old friends, and witness how their work has improved the lives of Nigeriens. And create a documentary of their experiences.

Regular people, many of whom witnessed the World Trade Center attacks in New York City, describe where they were, what they felt and the actions they took on that day.

A former Peace Corps volunteer returns to Nepal to find his adoptive family in the aftermath of the country's Maoist civil war.

After taking his dying father's advice, Hal dates only the embodiments of female physical perfection. But that all changes after Hal has an unexpected run-in with self-help guru Tony Robbins. Intrigued by Hal's shallowness, Robbins hypnotizes him into seeing the beauty that exists even in the least physically appealing women. Hal soon falls for Rosemary, but he doesn't realize that his gorgeous girlfriend is actually a 300-pound-not-so-hottie.

Darcy and Tom gather their families for the ultimate destination wedding but when the entire party is taken hostage, “’Til Death Do Us Part” takes on a whole new meaning. Now, Darcy and Tom must save their loved ones—if they don’t kill each other first.

Iraq War veteran Herold Noel suffers from post-traumatic stress disorder and lives out of his car in Brooklyn. Using Noel's story as a fulcrum, this doc examines the wider issue of homeless U.S. military veterans-from Vietnam to Iraq-who have to fight tooth-and-nail to receive the benefits promised to them by their government.

"How comes no one has ever made a film about The Melvins?" Well, no one has ever tried or thought it even possible.....until now that is. The Colossus Of Destiny - A Melvins Tale is a film about a band who have defied all the rules, for over 32 years and counting, and still managed to succeed and do it their own way. The journey of band members King Buzzo and Dale Crover leads us from the backwards-waters of the Chehalis River in Washington State, down through the Golden Gate of Northern California, and finally settling into the Los Angeles River Basin of Southern California. With the rest of the world thrown in along the way. You will witness first hand the beliefs and attitudes, values and obscenities, slows and fasts, triumphs and toils, loves and hates, wits and giggles of a hugely talented and influential band. And you will also come away with a lesson in how to survive in the wicked world of the music biz without taking yourself too damn seriously.

Shot over a two-year period observing Abbado: a) Rossini, Overture to 'll Barbiere di Siviglia' b) Schubert, Symphony no. 2 B-Major, D. 125 c) Arnold Schonberg, Kammersinfonie no. 1 E-Major op. 9 (Filmed in Venice, Gran Teatro La Fenice, in February 1995, Chamber Orchestra of Europe). a) Richard Strauss, Elektra (Deborah Polaski, Karita Mattila, Marjana Lipovsek, Ferrucio Furlanetto) b) Beethoven, Symphony no 6 F-Major, op. 68, 'Pastorale' (Filmed in the Festspielhaus Salzburg on the occasion of the Easter Festival, April 1995, Berlin Philharmonic). a) Beethoven, Concerto for piano and orchestra no. 3 C-MINOR, OP. 37 (Maria Joao Pires) b) Bruckner, Symphony no. 9 D-Minor (Filmed in Paris, Cite de la Musique, in August 1995, Gustav Mahler Youth Orchestra).

A feature length portrait of conductor Sergiu Celibidache; four years in the making, director Jan Schmidt-Garre collaborated closely with the musical director of the Munich Philharmonic.

At the age of seventeen, Irina Chistyakova looks back at an international concert career spanning ten years. Irina is the youngest of the four protagonists of the film Russia's Wonder Children made in 2000. By now seventeen years old, she is going through a drama that many prodigies experience: while they were children, they were able to stun audiences with the contrast of their delicate appearances and precocious talents. Like Irina, Nikita Mndoyants (18), Dmitry Krutogolovy (19), and Elena Kolesnichenko (25), are still showered with praise and distinction. But what price did they have to pay for it?

An engaging profile of the classic film; featuring interviews with Stephen Fry, Dulcie Gray and Dorothy Tutin.

Russian-born composer Sofia Gubaidulina entered the international spotlight at a relatively late age, when the 49-year-old came forward with her premier violin concerto, "Offertorium," in 1980. Gubaidulina authored that piece for Gideon Kremer. Curiously, it would be another 12 years before Gubaidulina received a commission (from Paul Sacher) to author her second violin concerto, and another 15 years after that until the notes fell on ears ripe with anticipation. For the debut of the "Second Violin Concerto," Gubaidulina insisted that no one other than German violin virtuoso Anne-Sophie Mutter perform it. That Mutter performance from August 2007 appears, in its entirety, in this classical concert film. Jan Schmidt-Garre directs.

'The Weight of Chains 2' is a documentary film largely dealing with the effects of the Washington Consensus economic doctrine on the newly established former Yugoslav republics, but also with neoliberalism as an economic concept. Through interviews with Noam Chomsky, Oliver Stone and many others, the author, Serbian-Canadian Boris Malagurski, attempts to analyze why so many people in the Balkans are disappointed with the systems imposed after the fall of socialism and how capitalism could be improved. Looking at the examples of Ecuador and Iceland, the film tries to uncover alternatives to the prevailing orthodoxies of Western economic dictates and help developing nations find their own way to shape their economies and their countries.

In May 1969 at Tres Irmãos Farm, Caruaru, PE: Lourival Batista and Severino Pinto, two singers by profession, meet for a challenge. This film documents some moments of the Cantoria.

This is an exhilarating experience both visually and aurally. How wonderful that Barenboim is havng such success with Verdi this late in his career.The excitement and power is there in all the big movements and the tempi shouldn't upset anyone. There is clarity and drive in all the big choral fugues and the climaxes will knock your socks off. But it was the quiet moments I found most moving. The incredibly detalied camera work increases this sense of intimacy and the video quality is excellent. Really.

Dramática Popular

Eu Carrego um Sertão Dentro de Mim

The confrontations and conflicts between the city of Padre Cicero's pilgrims and the attempts to develop the region.

The struggles of the world’s Jewish people over the course of several centuries are expressed and explored through the music they inspired in this documentary from the BBC and Opus Arte. We Want the Light brings together harrowing tales from Holocaust survivors with performances of music by such legendary composers as Mahler, Bach, Mendelssohn, and Brahms. Interviews with: Alice Sommer Herz, Jacques Stroumsa, Evgeny Kissin, Vladimir Ashkenazy, Zubin Mehta, Itzhak Perlman, Pinchas Zukerman, Toby Perlman, Michael Haas, Elyakim Ha’etzni, Norman Lebrecht, Margaret Brearley, Paul Lawrence Rose, Daniel Barenboim, Yirmiyahu Yovel, Uri Toeplitz & Anita Lasker-Wallfisch. Featuring: Gürzenich-Orchester Köln, Cologne Cathedral Children’s Choir & Cologne Opera Chorus.