Valley of Rhymney

When governments use Covid emergency act edicts to restrict the gathering and worship of the Church, three pastors facing the risk of imprisonment, unlimited fines, and their own Churches splitting apart take a courageous stand and re-open in the face of a world that has chosen to comply.

Tina Turner overcame impossible odds to become one of the first female Black artists to reach a mainstream international audience. Her road to superstardom is an undeniable story of triumph over adversity. It’s the ultimate story of survival – and an inspirational story of our times.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

A collection of amateur films made by photographer Roderic Vickers and friends.

A short prior to World War I film which captures festivities at a fair near a church in Bitola.

Early Balkan footage.

Gaudi's Sagrada Familia has been continuously under construction since 1882.

A six minute film of the funeral of the murdered Metropolitan Emilianos of Grevena, of which all has been lost, save for 17 seconds. Emilianos was murdered on October 1st, 1911.

January 2010: In the buckle of the Bible Belt, 10 churches burn to the ground in just over a month igniting the largest criminal investigation in East Texas history. No stone is left unturned and even Satan himself is considered a suspect in this gripping investigation of a community terrorized from the inside-out. Families are torn apart and communities of faith struggle with forgiveness and justice in this incredible true story.

Colourful amateur film showing family outings around Lancashire and a trip to Southampton to meet travellers from America.

A stunning display by Nyishi tribesmen from the hills of Arunachal Pradesh, north-eastern India.

Amidst a mostly Catholic community, a small tiny Anglican church offers more to the community of Placentia than people may think, and holds many connections and history to the rest of the world.

Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.

The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.

Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change.

Six Christians face a dark night of the soul that leads them to question everything they believe.

Love Costs Everything maps the history of Christian persecution from the first Christian martyrs to seven present-day stories of faith that knows no price. In the face of persecution, these followers of Christ fear compromise more than death itself. Filmed in Iraq, Columbia, India, Egypt, France and the United States, this feature-length documentary includes commentary from United States Congressmen, foreign government officials, religious leaders and scholars.

Montenegro is the newest European country with a proud history, one that is being falsified for current political purposes, thus creating an alternative identity. In a nation where it possible for two brothers to claim different ethnic backgrounds despite having the same parents, everything is on the table: language, church, democracy. Can the truth set Montenegro free?

Filmed In the heart of the mountainous villages of Greece and North Macedonia, the documentary follows a group of conservators of antiquities and works of art on their journey, with the goal of preserving Byzantine iconography. The dialogue between them and the hagiographers of the past comes to life.

Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.