No Service

It started with filming the tree. Something was released in that manner of filming seemingly farthest removed from the procedure of the early films. I first thought a simple ordering of this rich material might be enough, something related to BARN RUSHES [...] But the film only came into its form-life with the idea of linking this deep-rooted and far-outreaching tree material with that film on paranoia that had fascinated me for many years. –L. G.

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg

During the evening, between 15:00 and 17:00 all of Valparaíso's hills appear almost motionless.

With carpenters and fishermen on the coast of Valparaíso, Leonel Vasquez built a boat/sound installation following the almost extinct tradition of the craft wooden boats that still sail these waters. Through on-board wooden speakers, fishermen tell the stories of their livelihoods.

Los Años is a meditation about time, memory and mortality through our representation in images and our lives' rituals. This short highlights our abstract way of understanding time and collective experiences.

A somber journey on the road. A post with three lights. A crowded street. Stashed cables. The city. A grey square. The sun's reflection. The sun. Going back home.

The arrieros hold the lamb's body with their hands. The knife cuts the animal's throat and blood cascades out.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. "Russia as a dream" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.

Footage filmed in Spain, subjected a new visual effects process. Deslaw devoted himself to the discovery of a new machine that enabled film to be developed while using a new method called solarisation.

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

Cine de Emboscada

To popularize the idea of automobile travel, Ford Motor Company produced Ford Educational Weekly, a film magazine distributed free to theaters. One 1916 series featured "Visits to American Cities." In this episode, Los Angeles is featured at the very beginning of the boom created by oil, movies and aircraft. On the occasion of its centennial in 1953, Ford donated its film to the National Archives and Records Service; this copy derives from a fine grain master printed from the Archive's preservation negative. Music by Frederick Hodges.

France, il était une fois demain

The Greek island of Syros is visited by a series of unexpected guests. Immutable forms, outside of time, aloof observants to human conditions.

On the Various Nature of Things

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

France 2100, le pourquoi du comment

THE SCREEN TESTS OF COSMOTROPIA DE XAM A collection of 12 screen tests from all over the world, based on a direction sheet of Cosmotropia de Xam. Starring: Elzabeth Hart of Psychic Ills, How I Quit Crack and Aura, Carmen Incarnadine, Shivabel, Black Madeleine, Jenni Hensler, Agnes Pándy, Suzy Poling, Omebi, Sarah Toon and Owleyes, Dania Myers, ∆AIMON

Dear features the interior world of two teenage Chinese girls in New York City, whose diary entries reveal their concerns related to growing up as immigrants amidst the ever-gentrifying landscape of Chinatown.