Red, Blue and Purple

A collection of five short films tackling the military industrial complex, the rise of fascism, political polarization and various issues in modern society.

a soldier returns from a war in Europe, only to grow more bitter as he realises a more sinister truth.

Viet Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers. Schneemann uses the 8mm camera to “travel” within the photographs, producing a volatile animation.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Cold pearly winters and the brutality of war running simultaneously.

In a remote and seemingly peaceful province of Ilaya, there lived two teenagers who explore their lives as the world around them grows darker.

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

An exploration of two souls inhabiting bodies from 1940's Hungary, and the beginning of the digital age.

A surreal, visceral peek inside the shattered mind of a person struggling with the apocalyptic grip of deep mental illness.

Mi pesadilla fue que me mataba la guerrilla

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

The shot’s eerily static, but the house isn’t quite right. There’s no mold in the wood, maybe it’s the bug!

Por si vuelves...

Short experimental animation about childhood, school and mathematics based on my exercise book in second grade.

Set against nostalgic analog noise, this is an ultra-processed film which pays homage to lost media and the dead art of videotaped home movies. Taking place primarily in the United States, two strippers look into getting hired at a club in Colorado, a young musician reunites with her family in Missouri, and a German woman flies from Berlin to the U.S. to help her friend finish a film in Texas.

Amidst a world in flames, a disillusioned workaholic returns to their childhood home in an attempt to escape from their apocalyptic day job.

A personal portrait of the stages of love: discovery, fullness, fracture, and rebirth.

A visual and acoustic reflection about perception, deception, truth and the medium of film itself. Between visibility, irritation, structure and dissolution, a space arises for one’s own vision. An experimental film that wants to be experienced.

ingerence: Unwanted involvement, interruption, or meddling in the internal affairs of another person, entity, or sovereign nation.