Red, Blue and Purple

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

In a remote and seemingly peaceful province of Ilaya, there lived two teenagers who explore their lives as the world around them grows darker.

A collection of five short films tackling the military industrial complex, the rise of fascism, political polarization and various issues in modern society.

An exploration of two souls inhabiting bodies from 1940's Hungary, and the beginning of the digital age.

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.

Two men in the moors alone, fighting their free will and masculinity (or lack thereof).

Abstract video art set to the music of Philip Glass.

An NTSC space opera.

Returning to his hometown one last time, a wayward love rat reignites friendships and reopens old wounds in one self-destructive weekend.

An experimental, activist short-film following Quinn, who falls pregnant, but did not have the freedom to choose. So she takes matters into her own hands.

A loop of a guy in Maine hanging out in his room.

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

This experimental film explores the relationship between what we perceive as natural and what we perceive as unnatural and how this relationship changes over time due to natural and unnatural decay.

In 7 episodes, a subject traverses through various phases of existence. He fully explores different facets of the human condition— a calm birth, a stifled growth, an outrage against injustice, a cumulation of scars, and the return to innocence.

The turkish ambassador is said to visit a village in Hungary.

Ezra (M19) and Awan (F19) are two melancholic teenagers who one day meet by chance in the Library. In their meeting, they both feel they have the same memories and speculations. In the memories and speculations created between the two of them, they are lost in feelings of love in their minds. Those thoughts make them feel the complexity of love that they have never felt before.