Les sentiers culturels

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Deep in the forest of Overland Park, Kansas little gnomes made a home. But how did they get there? Experience the feel-good story of paying it forward, one tiny magical house at a time.

A darkly comedic, personal testimony about birth control side effects and navigating the inadequacies of women’s healthcare.

A subway jigsaw of Marker's work: PASSENGERS.

A sort of documentary on the people known to have fallen out of windows in a certain time frame in a certain geographical location. One of Greenaway's early short films.

In Mexico, a country where indigenous people are increasingly displaced and discriminated against, Lupita, a survivor of one of the worst massacres in the country’s history, finds her voice in a movement led by indigenous women. The film intimately follows Lupita, a Tzotzil Maya woman, as she takes on the responsibility to be the spokeswoman of her people. Part lyrical testimony, part tribute to 500 years of indigenous resistance, this film mediates the point-of-view of a brave woman who must balance the demands of motherhood with her high stakes choices to reeducate and restore justice to the world.

Isa and Zoe are eleven years old, they are best friends. Through their video diaries, they tell their perspectives on the transition from childhood to adolescence, the changes they are undergoing and their concerns when they stop being girls to become women.

After Kosovo's independence the first internationally recognized sports federation was the one of Table Tennis. Two local Ping-Pong enthusiasts see this as a great opportunity and start self-financing the training sessions for young players.

A 960-pound Elvis impersonator is absolutely convinced he is Elvis Presley's secret love child.

Daniel Pérgules, known as “Kilos” is a turtle rescuer and animal rights activist. On his journey searching for turtle nests in the most remote parts of the beaches of Tecolutla, Veracruz, he remembers the day it all began, and how his work saved his life.

With no Forest left to hunt and no land to cultivate, the Maby-Guarani depend on the sale of their handcraft to survive. Three young Guarani filmmakers accompany the daily life of two comunities united by the same history, since the first contact with the Europeans until the intense coexistence with today’s White people.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Amidst the hills of the ancient city of Mtskheta, an aging man nearing his hundredth year is forced to make way for a new road being paved through the blossoming garden of floral delights that he loves and cares for.

Documentary of the Rustavi Metal Works, in the country of Georgia.

The making of the hoax film Miracles of Evolution.

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

A documentary portrait of the pioneering indigenous filmmaker and activist Merata Mita and an intimate tribute from a son about his mother that delves into the life of the first woman from an Indigenous Nation to solely direct a film anywhere in the world. Known as the grandmother of Indigenous cinema, Merata’s independent political documentaries of the 1970s and 80s highlighted injustices for Māori people and often divided the country. Mita was fearless in her life, her activism and her art. Chronicling the director’s journey to decolonize the film and television screens of New Zealand and the world, the film documents her work, her early struggles with her family and her drive for social justice that often proved personally dangerous.

Rafa is a guy who dreams a lot and sleeps very little. He’s no longer a teenager and he’s one step ahead to become an adult, this would become more difficult than he ever thought. Love, drugs and uncertain future, are the thing that go with him through his journey to find out who he is as a person.

Documentary short about Mexico's femicide crisis.

Documentary short about Mexico's femicide crisis.