Weeds and Wildflowers

A girl follows a string to gain confidence.

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

Jonas Mekas recites poems of his, both in English and Lithuanian. Exclusive Mekas interview by the poet Sparrow. The legendary poet-film critic and film diarist waxes philosophical in rare extended setting exhibiting his transcendental poetic humor. Jonas attacks the crass world of TV advertising and sell-out commercial filmmakers. Contributes zen anecdotes and filmmaking advice. Choice clips include Mekas' Film Diaries with deceivingly formalist amateur "home movie" style, but in small bursts of expression in a quick collage. Footage from Jonas' homeland as well as clips of famed pop figures John Lennon, Yoko Ono and Tiny Tim.

Directed by Jacob Miguel, "PUNK ROCK LOTTERY" embarks on a mission to capture the rapid growth of an annual event known as "The Punk Rock Lottery" in Austin, Texas. What sets this film apart is its self-awareness, playfully breaking the fourth wall and transforming into an immersive journey through history and the creative process. The narrative builds its foundation by featuring insights from punk legends and influential figures who helped shape both the film and Austin itself. As the story unfolds, it delves into the heart of the project as Jacob actively participates in the event, offering an inside look at the frenetic pace of life in a band. Through the experiences of over 30 characters, the film uncovers universal truths about creativity, camaraderie, and the struggles inherent in pursuing one's artistic passion.

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

In this experimental short film, a young man and woman enter into a relationship with one another and quickly learn the ups and downs of intertwining their life with the one they love.

Pablo, an introverted child, has the ability to enter his mother's paintings, this takes him on a surreal and bizarre journey that dissolves the limits between reality and imagination.

When Adrian's friend denies him a loan of money, a rampage of thoughts starts within him. Why won't Jacob lend him any money? And why won't he lend any to him, specifically?

In 1772, Englishwoman Mary Delany wrote to her niece: “I have found a new way of imitating flowers.” The imitation in question was the art form called decoupage, based on cut-outs and reshuffling of pictures. The charm and botanical precision of these works attracts attention of even today’s artists, among others by an anonymous programmer who is trying to invent a way of capturing the flowers’ vivacity in pictures. With this aim in mind, she has created an algorithm, which would combine science and beauty, similarly to Delaney’s efforts, whose illustrations it is meant to animate.

Ahmet is a young man struggling with inner conflicts and loneliness; while planning to end his life, a potted flower and his memories accompany him in his search for meaning. At the same time, Umay, reading a book that uncovers secrets about her mother's past, receives Ahmet's letter. This letter takes Umay on a profound journey of reflection and establishes an unexpected connection between two different lives.

A stream of mysterious rituals and symbols are encountered as a young boy journeys to school in the fantastical world of Kshya Tra Ghya.

In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

Oriana Mejer's niche poem-film style has created "NOISE!". The film dissects late stage capitalism and the effects social media has on the mind. This is a spoken word poem, performed by Mejer, combined with projections. It is a completely new approach to editing. Originally score by Sofia Camarena.

A student moves into their accomodation, only to find their room already decorated, a strange, inhuman flatmate, and a kettle that won't stop boiling.

#29 belongs to a series of video works and researches the relationship between landscape representation, perception, and the unconscious. The techniques applied to the footage are a mix of hacking of the MPEG information and faulty encoding settings. Crucial data is removed, forcing software to re-interpret the visual information.

Sarah and her two cats go about their separate lives. The cats have strange dreams about their desires, and Sarah develops an unshakable paranoia that something is wrong with them. Sarah's paranoia bleeds into her social life, and her two cats have their dreams come true.

Inside a room full of plants, a woman finds shelter from the outside world. Submerged in delirium, Alba experiences her withering.