A Walk in the Woods

Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.

Thevan, a folk singer of the Paanan caste, has a fateful encounter when escaping slavery, leading to discover an ancient tradition altering his destiny.

The story of an odd family in which two uncles, apparently bachelors, play the role of mother and father for their two orphan nephews in the Valencia of the 1960s and 70s.

Arturo, who has just turned 15, is in love with 13-year-old Paloma. In a moment of passion at a ski lodge while on a field trip to the mountains with their schoolmates, he gets her pregnant. Afraid of what may happen to them if their strict (but somewhat inattentive) parents or any of the rather straight-laced teachers at their Catholic school find out about the baby, Arturo and Paloma turn to their young friends and relatives for help instead. This proves to be something of a coming-of-age for everyone involved as they try to help the young couple get married, conceal the pregnancy from their parents, and prepare for the birth. The many adventures they have while doing this, while often amusing, help drive home to them that the old wives' tale about storks bringing babies is just a myth (hence the title), and pregnancy and childbirth are actually very serious matters.

Sister Patrocinio is a nun who is stigmatized by Christ in her hands and feet. Although some believe in this mystical fact, others suspect of manipulation and take it to the court of justice.

Esquivar y pegar

Morning outflow and evening inflow of the sea change a tide of life of the coastal small town.

A Short Film About My House

Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed in a series of important yet isolated events that FRAGMENTS compiles through various firsthand accounts, film excerpts and documents. For the first time in Spain, a documentary brings together the most relevant of a cinema that is slowly losing its invisibility.

Gente de mesón

i got to meet mario and i really rally love mario and i think mario would easily defeat sonic the hedgehog in a fight and would make a great choice as the new president of america thank you for watching my video

A trans Vietnamese woman's deadname being repeated over and over again.

The story of a nightclub girl of the twenties who meets a handsome swain. In color.

Female impersonators model the wardrobe of the twenties, with commentary. In color.

A strange wire-fingered homunculus navigates through his dreams of different faces and faces, traversing a subliminal and endless variety. They are all different faces, but all have huge eyes that are questioned as to what keeps them apart, perhaps left broken by an impossible love.

African American Express is an abstract animation exploring the impact of consumerism in the Black community. Told in the style of Soviet Propaganda, this animated short dissects the pattern of excessive materialism and consumption prevalent within the Black population.

PUTREFIXION: A Video of Nina Temich is the first feature to be entirely filmed on a 360 camera. Director David Torres utilizes the disorienting nature of a 360 lens to transform Mexico City, accentuate the ritual of dance, and open a new chapter of in-world-camera narratives. As Nina, model and dancer Dalia Xiuhcoatl controls the space and movement of the camera, giving this portrait of a young woman's brush with the supernatural a mesmerizing feminine energy.

Otro Sol is a group of real and invented characters trapped in a film. It is also a purgatory of retired thieves that takes place on the coast of the Atacama Desert. The film is circular and seeks to invent and verify the myth of Alberto Cándia, a Chilean international thief who stole the Cathedral of Cadiz in Andalucia in the late 1980s.

Through a collection of home video footage, the filmmaker undergoes a journey of reconciliation and healing, grappling with their identity in the face of the past.

Painful memories are unleashed following an act of violent suicide.