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In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.

A music documentary made with Sun Ra.

A documentary featuring archive footage to celebrate the 100th birth of jazz legend Louis Armstrong.

A documentary about the jazz standard and it's roots in Jewish and African-American culture/

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

This riveting music documentary traces the history of Jazz piano legend Oscar Peterson, from his early days as Montreal's teenage Boogie-Woogie sensation through his meteoric rise to international celebrity with Norman Granz and the ground-breaking Jazz at the Philharmonic and beyond. In this award-winning autobiographical portrait, legendary jazz pianist Oscar Peterson narrates his story, from his beginnings in smoke-filled Montreal clubs to hallmark performances with jazz greats. Concert footage includes an unforgettable combo -- Nat King Cole with Jazz at the Philharmonic and the Oscar Peterson Trio Wall reunion. Quincy Jones, Ella Fitzgerald and Dizzy Gillespie are interviewed, among others. - Ray Brown, Herb Ellis, Ella Fitzgerald

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

A chronological look at the life and career of jazz musician, composer, and performer Dave Brubeck (1920-2012 ), presented through contemporary interviews, archival footage of interviews and performances, and commentary by family, fellow musicians, and aficionados. Emphases include his mother's influence, his wife's invention of college tours, his skill as an accompanist, the great quartet (with Desmond, Morello, and Wright), his ability to find musical ideas everywhere, his orchestral compositions, his religious conversion, and his unflagging sweet nature.

Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.

A biographical film featuring the music and times of Bill Evans with interviews from Tony Bennett, Jack Dejohnette, Billy Taylor, Paul Motian, Jon Hendricks, Orin Keepnews, Bobby Brookmeyer, Pat Evans and more, including family and friends who knew Bill Evans well.

"What would the world be like without Beethoven?" That’s the provocative question posed by this music documentary from Deutsche Welle. To answer it, the film explores how Ludwig van Beethoven's innovations continue to have an impact far beyond the boundaries of classical music, 250 years after his birth.

During a decade rife with paranoia, in the middle of the McCarthy era, Music Inn was a bold experiment. Halfway between the Second World War and The Civil Rights Movement, Phil and Stephanie Barber created an oasis in the Berkshire Hills in Western Massachusetts where aspiring musicians came to learn from the very best. Students and faculty, young and old, rich and poor, white, black, and brown convened together and learned from each other. Defying the surrounding environment, Music Inn harbored a racial and cultural harmony where music was all that mattered.

Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.

Tenor saxophonist Jimmy McGary was a major presence in the Cincinnati music scene from the 1950s until his death in the early ’90s. With music rooted in Bebop with a progressive slant, the Jazz legend was a session player for King Records and released his first album as a bandleader — The First Time (with a quartet that included pianist Pat Kelly) — in 1979. McGary’s spirit and legacy have lived on well after his passing and well beyond Cincinnati, as evidenced in this new documentary film.

Imagine an AM Radio Station with a dawn to dusk license that played nothing but jazz and comedy records. Did I mention it FLOATED in the Ohio River and changed the culture of a Community? The history of Cincinnati Jazz is long, wide, diverse and in the case of WNOP sometimes beyond belief. Saxophonist turned filmmaker Christopher Braig's second Film will focus on the people, music, and cities that kept "The Jazz Ark" sailing for 42 years from 1968 to 2000.

A portrait of inspirational jazz drummer and teacher Art Blakey with Dizzy Gillespie, many pupils including Wayne Shorter, the Marsalis brothers, and a surprising new generation of musicians and dancers.

Documentary film about the life and mysterious death of forgotten jazz arranger/composer Gary McFarland.

Art Blakey & The Jazz Messengers features what many consider to be one of the fi nest line-ups in the history of jazz—Bobby Timmons (Piano), Jymie Merritt (Bass), Benny Golson (Sax) and the legendary trumpet player, Lee Morgan. Lost for nearly 50 years, this historic 55 minute concert, fi lmed in Belgium in 1958, one month to the day after they recorded their masterpiece Moanin,’ is the only known visual document of this infl uential band who were together for only six months.

"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.