Let Me Dance (Kanshanine)

The ballet tells the story of a peasant girl named Giselle whose ghost, after her premature death, protects her lover from the vengeance of a group of evil female spirits called Wilis

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

Joyful, androgynous forms shimmy across the screen to the sound of world-beat music.

Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.

Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.

The story begins the day before the graduation ceremony. Five middle school girls each are preoccupied with their real everyday lives. These girls meet each other in a fantasy world after being sent there through a sudden occurrence. There, they learn about the impending crisis that this world is facing. The way to avert this crisis is for the five to collaborate and bring their five hearts together as one through dance. However, the five cannot come to love the world, and cannot tell their true feelings to one another, so their hearts are unable to unite. The time limit is fast approaching. Can the dance of the five girls save the world? And will they be able to graduate?

Inada plays Betty Yoshida, a singer and dancer from America who arrives in Japan to go on tour, only to be swindled by scheming managers. Penniless and cast to the streets, Betty is taken in by Oki (Nakagawa), a talented tap dancer who introduces her to a group of struggling musicians living and working together.

The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."

Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.

Mitzi Gaynor and guests Ted Knight (Mary Tyler Moore Show), Jerry Orbach (Chicago), Suzanne Pleshette (Bob Newhart Show) and Jane Withers in music, dance and comedy vignettes celebrating housewives. Songs include "Married," "I Can Cook, Too," and "You Are the Sunshine of My Life." The cast also attend a party performing "The Little Things We Do Together" from Stephen Sondheim's Company.

Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.

Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?

They identify the Brazilian dance formation Cia Dita as a "search place": exploring and recreating in artistic production the interactions between different languages ​​through dance, video, performance, photography and literature. Founded in 2003, the troop has traveled around the world and all continents with their projects. They call Corpornô (from "hardcore" and "porn") the Cia Dita atomic bomb, supersonic, crossing the sky with a ray of light in the deluded world of Puritans. Corpornô is a fine line between erotica and pornography. Heroes dive into the depths of the human being, incredibly representing what is animal, social, human, and inhumane in each of us. The show premiered in April 2013 and today is the most sought-after performance of the band.

Eddie, the 40-year-old confirmed bachelor finally says "I do" to the beautiful and sexy Lila. But during their honeymoon in Mexico, the woman of his dreams turns out to be a total nightmare, and the guy who could never pull the trigger realizes he’s jumped the gun.

Pleasantly plump teenager Tracy Turnblad auditions to be on Baltimore's most popular dance show - The Corny Collins Show - and lands a prime spot. Through her newfound fame, she becomes determined to help her friends and end the racial segregation that has been a staple of the show.

How do we bring our physical bodies with us into our inevitably digitally-bound futures? Collaboratively conceived by director Brian J. Johnson and Vancouver’s acclaimed Company 605, Future Futures is a collection of five short dance films that explore the digital destiny of humankind through a unique merging of camera and visual effects with a specific choreographic vision. Embracing the absurdity of centering dance inside a sci-fi narrative, the experimental series collapses time to portray human culture at an unprecedented moment: the emergence of a new, autonomous, and intelligent being—the digital reflection and culmination of ourselves. Through its otherworldly imagery, choreography, and driving electronic sound score, Future Futures evolves into a strange, highly visual exploration of what we are if we are no longer tied to our physical bodies, and how we will define humanity when faced with a fading IRL existence.

Darcey Bussell and Roberto Bolle star in Frederick Ashton's Sylvia, restored to the splendour of its elegant and opulent three-act form for the 75th anniversary celebrations of The Royal Ballet. With origins in Greek mythology, Sylvia was loved by Aminta, abducted by Orion and eventually rescued by Eros. Recorded live at the Royal Opera House, Covent Garden on 1st and 5th December 2005.

A contemporary musical version of the classic Cinderella story in which the servant step daughter hope to compete in a musical competition for a famous pop star.