One Minute Reharsal

Soul Cage is a non-verbal documentary, which shows the process of creation. The specially composed music builds the dramaturgy of the film on equal rights with the image. This “cinematographic sonata” explores the boundaries of documentary and operates with details, shadows and mystery. The film gets inside the art process of Johanna Forsberg, who lives in the north of Sweden. From the raw metal mesh, cold and resistant, through the fragile moment of creation, to the darkness of the workshop – where everything is possible and the creations have their own life and souls.

Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.

After the death of my only brother I found rolls of undeveloped film. This documentary is a reenactment of those stills and an exploration of the aspects of my brother's life that I didn't know.

A study of the Group Theatre, a company that changed the face of American drama. The Group was founded in 1931 by Cheryl Crawford, Harold Clurman and Lee Strasberg, who were strongly influenced by the naturalistic acting of Konstantin Stanislavski’s Moscow Art Theatre.

Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what allows her to move on with her life?

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Two instants separated by 99 days conflict with each other.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

A last tour throughout a day through the signs and the memory of a house. A sensory and poetic exploration that reflects an intimate and nostalgic look at the places we inhabit and the way they contain us.

A trans Vietnamese woman's deadname being repeated over and over again.

Experimental short film by Barbara Sykes

Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.

Experimental video art compiled from video taken on an LG Env3 flip phone circa 2009-2010

Experimental self portrait

Every day in Sutton, scientists from The Institute of Cancer Research at The London Cancer Hub try to discover what will defeat cancer. In the summer of 2022, communities in Sutton came together to celebrate their incredible research through the creation of a short community film celebrating this science. The resulting film showcases choreographed dance sequences as creative yet recognisable interpretations of scientific concepts.

Filmed at Masonboro Island, an undeveloped barrier island in southeastern North Carolina, “Tides” contemplates the liminal space between the modern technological world and that more ecological dimension we label as “nature” or “the environment.”

Formally eclectic, the first few seconds of the film seem to introduce us to a typical sensory documentary, but soon the flow of the narrative evolves into a much more complex portrait of the port of Paita, by concatenating recordings made by the author himself, videos generated by an AI, Google Maps views and archival images.

Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.

“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).