After James Benning's YouTube

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

A silent succession of black-and-white photographs of the city of Montreal.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

A filmic letter to New York City, the subway, and self.

Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.

An abstract film consists of static shots of a small house-like being demolished through temporal ellipsis.

"Nueve Sevillas" is a heterodox psycho-geographical profile of the new flamenco in Seville. Nine characters coexist with the great flamenco artists of today.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

A spritual inquisition lands in a village to inspect the dreams of a peasant and his renegade goose. Led by the zealous hums of a divine spectral apparatus, the visitation detects estranged frequencies, a 'spiritual reality' cloaked in the mundaneness of the peasent's home, leading to Cairo's City of the Dead.

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.

An experimental "documentary" that depicts the life of 4 friends.

Explore the disappearing tradition of second sight in the Outer Hebrides of Scotland. As we listen to locals' accounts of haunting experiences—phantom horses, ghost voices and other supernatural phenomena—Joshua Bonnetta connects their testimonies with 16mm images and a sonic montage of the physical and aural environment of these enchanted islands.

A letter of love to my past self who discovered himself.

Ensaio sobre a Imutação

Tommy sets out to document walking. He meets a colorful cast of characters, attaches microphones to his feet, and contends with what it means to capture movement on film.

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

Twenty-five films from twenty-five European countries by twenty-five European directors.

A 25-minute visual essay by Kent Jones about Jean-Luc Godard and his film 'Weekend'.

The documentary examines Frank Zappa and his music through archive footage, including unique video excerpts from Austrian television archives featuring interviews with Zappa and backstage scenes from the 1970s and 1980s. The entire film is divided into chapters discussing the most important themes in Zappa's life and work.