These Girls

A Suitable Girl follows three young women in India struggling to maintain their identities and follow their dreams amid intense pressure to get married. The film examines the women's complex relationship with marriage, family, and society.

The Oystermen of Pointe a la Hache, Louisiana. This town of nearly 300 is struggling to survive following the BP Oil Spill that left their crop dead, finances in ruin and culture facing extinction. This community has a history of being overlooked by the State, and therefore, are taking matters into their own hands, to assure their voice is heard so that they may not otherwise vanish

Charlotte Gainsbourg looks at her mother Jane Birkin in a way she never did, overcoming a sense of reserve. Using a camera lens, they expose themselves to each other, begin to step back, leaving space for a mother-daughter relationship.

A personal history of France, told through photos by French photographer Denise Bellon.

Lacey Schwartz grew up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity - despite the open questions from those around her about how a white girl could have such dark skin. She believes her family's explanation that her looks were inherited from her dark-skinned Sicilian grandfather. But when her parents abruptly split, her gut starts to tell her something different. At age of 18, she finally confronts her mother and learns the truth: her biological father was not the man who raised her, but a black man named Rodney with whom her mother had had an affair.

At the end of August 1914 Leuven became the victim of blind rage war. Virtually the entire city center was systematically destroyed by the Germans. War journalist Rudi Vranckx explains what happened.

Valery Liashkevich is a homeless artist who lives at a railway station and for over twenty years has painted pictures in the streets of the town of Gomel in Belarus. For the natives he is no more than a local attraction. For art critics he is a phenomenon worth close attention.

In a derelict garage, Darren, a man full of love and rage is caught between the two sides of his personality, the old and the new, the violence and the love, the image and the truth. Playing against the myth of the east end hard man, this short documentary is a Shakespearean tragedy in the real world.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Everyone’s talking about it, but who can explain it? Paul G. Allen’s Vulcan Productions and Morgan Spurlock’s Cinelan have partnered to produce WE THE ECONOMY 20 Short Films You Can’t Afford to Miss. Each film is helmed by an acclaimed filmmaker, each with their own creative vision. The series aims to drive awareness and establish a better understanding of the U.S. economy. Told through animation, comedy, musical, non-fiction, and scripted films, WE THE ECONOMY seeks to demystify a complicated topic while empowering the public to take control of their own economic futures.

In Hanover, Germany 1924, the discovery of bones and skulls catches the authorities’ attention. Media covers the case and a suspect – Fritz Haarmann – is quickly arrested. Haarmann is a local butcher who manufactures his own sausages. Friedrich Heinrich Karl "Fritz" Haarmann (25 October 1879 – 15 April 1925) was a German serial killer, known as the Butcher of Hanover and the Vampire of Hanover, who committed the sexual assault, murder, mutilation and dismemberment of a minimum of 24 boys and young men between 1918 and 1924 in Hanover, Germany.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.

A chronicle of legendary Native American poet/activist John Trudell's travels, spoken word performances, and politics.

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.

This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.

Documentary portrait of Carl Boenish, the father of the BASE jumping movement, whose early passion for skydiving led him to ever more spectacular -and dangerous- feats of foot-launched human flight.

A woman is recruited to a prison controlled by organized crime while another woman searches for her missing daughter. Through images that submerges us in a journey from north to south Mexico, both testimonies collide and take us to the center of a storm: a country where violence has taken control of our lives, our desires and our dreams.

Shadowlands is an animated short film about darkness that won't let go. About the constant fear that something terrible might happen. It describes a journey into the inner world and psyche of a young person in distress, a world far from "normal".

In this first project of Kim Longinotto while she was a student at Englands National School of Television and Film she filmed the daily life in a girls boarding school situated in an old isolated castle in Buckinghamshire. Until she was 17, Longinotto lived in this boarding school, finaly she run away from there. In this dark and expressive black and white documentary, Longinotto exposes the repressive school from the students perspective. It seems to be a kind of miniature state with bizzare rules, idigestibel food and absurd punishments. The documentary begins with an graduation ceremony. The director blows her own trumpet, afterwards the film describes the daily routine of schoollife. The film ends up with the students leaving for holidays. As a result of this documentary, the boarding school was closed down one year after the release of the film.