This short film follows an intoxicated character's journey through the mystery, beauty and eeriness of his environment.
Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Festival of Film and the Arts’ in 1949, organised in part by the Royal Cinematheque of Belgium. To celebrate cinema’s 50 year existence, they put together a side program showcasing the medium in all its shapes and forms: surrealist film, absolute film, dadaist films, abstract film,… The side program would soon become a festival in its own right: ‘EXPRMNTL’, dedicated to experimental cinema, and would become a mythical gathering of the avant-garde…
A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.
Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.
See the sound of the noise.
A sleeping man’s fading memory of his late Mother unravels through a recurring, hypermnesic dream that reverberates and transforms throughout his life, tracing from his final dream back to his first.
A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.
Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.
Two friends dreaming
By subjecting fragments from the film 'Rashomon' by Akira Kurosawa to the mirror effect, Provost creates a hallucinating scene of a woman's reverse chrysalis into an imploding butterfly. Papillon d'amour produces skewed reflections upon love, its lyrical monstrosities and wounded act of dissappearance.
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
Elaborate petal-like and multicolored flowers rising in white space until the whole field is as if crushed by floral designs in madly-swift mixtures of every conceivable previous shape from the Persian Series. Preserved by the Academy Film Archive in 2013.
Forced to paint, the artist will either create or be consumed. A modern gothic art film told through a series of striking still images.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Roads fall into the sea and a travelogue breaks against the landscape.
A short film made in response to returning to home during the Covid pandemic from 2020-2021. A series of vignettes capturing the serene countryside, juxtaposed with a personal voiceover, "Messages From Home" is a meditation on youth, belonging and the capitalist construction of time.
A film without a lens.
In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
Stuck in the traffic of life.
Time lapse of clouds and a mimosa tree to the silhouette at dusk.