Te vejo de novo

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

An actress’s perception of reality becomes increasingly distorted as she finds herself falling for her co-star in a remake of an unfinished Polish production that was supposedly cursed.

An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.

Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.

A couple and their children move into a seemingly normal suburban home. When strange events occur, they begin to believe there is something else in the house with them. The presence is about to disrupt their lives in unimaginable ways.

As people overrun tourist attractions, the inherent beauty crumbles to dust.

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Topographical video born from the meeting of a tunnel located at Hamburg (Germany) and Mictlan, the Aztec underworld. Circular and underground journey towards the dematerialization.

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

A contemplative and musical journey which takes us along the Rhine and through the Alsatian countryside.

A sensual hommage to Germany's most productive queer filmmaker, Rosa von Praunheim.

The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

Two robots embark on a quest to become human.

Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.

This free-form film is a self-portrait, which revisits more than 40 years of the author’s filmography and questions the major stations of his life, while capturing the political tremors of the time.

In the aftermath of his father's death, a young man navigates a developing relationship with a brain-eating parasite.

Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.