A visit to the Isle of Man to discover why it wants greater independence.
The Isle of Man TT is described as the world's most dangerous race, a complicated and unforgiving course. Yet every year more and more motorcycle enthusiasts come to this tiny British island to race in the event. Is it some kind of fatal attraction? It is a three-hour ferry ride from Liverpool to Douglas, the capital of the Isle of Man, which is a self-governing British Crown Dependency. Year after year in late May more than 25,000 people make this journey to the small island about 70 kilometers off the English coast in the middle of the Irish Sea. The TT race has claimed almost 150 lives in its 105-year history and the course itself has claimed more than 250 lives. Most of the riders are amateurs with full-time jobs a world away from the megabucks of Grand Prix racing, and for them this is a very expensive business.
CHARGE is proof that maniacs on motorcycles can be a force for global good. The movie follows several teams to the world's first zero-emissions grand prix on the Isle of Man – the most demanding and deadly circuit on the planet – in 2009 and on their return in 2010, 2011, and 2012. For the visionaries, it's history. For the petrol-heads it's blasphemy. What's racing without the sound and fury of internal combustion engines? CHARGE is about the future. It's about change. It's about the dream of a clean, green world. It's about the dream of winning.
Road racing driver Juha Kallio sits on a leather couch with a beer in his hand, watching a DVD of one of the fiercest motorcycle races in the world. ‘Could you do that?’ asks his friend sitting beside him. ‘Yeah, I could,’ answers Juha calmly, even though the Isle of Man TT Race circuit is challenging for any driver. The dangerous route has over 200 turns that need to be memorized beforehand. Participation doesn’t hang on ability alone. It takes not only skills but also luck to get a spot on a team, not to mention cash to cover the expenses. The few tenners worth of gas vouchers won on Finnish circuits barely cover the ride back home to Imatra. Maybe the local chicken farmer would sponsor a familiar face? The road to the legendary race is bumpy. The Fast of the Forest is a film about the daredevil world of road racing. It is also a story about perseverance. Quitting is not an option, even if the dream starts crumbling only moments before it is to become a reality.
Objetivo TT 3.0, un piloto, un sueño una afición
In 1935, Hungarian-American para-psychologist Nandor Fodor began his investigation of a strange occurrence on the Isle of Man. An average British family, the Irvings, claimed to have been contacted by a mysterious entity at their farm. A talking mongoose. Named Gef (Pronounced "Jeff".)
A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.
A washed up actor best known for playing the title character in the 1980s detective show "Mindhorn" must work with the police when a serial killer says that he will only speak with Detective Mindhorn, whom he believes to be real.
In the winter of 1891 a stranger arrives in a small coastal town on the Isle of Man. His presence soon disturbs the lives of the local inhabitants, especially the beautiful daughter of the parson.
This official film provides a definitive history of the only Victorian Railway system in the world which is still in full working order. The Isle of Man Steam and Electric Railways are featured here in graphic detail, utilising exclusive archive film showing the early workings of the long forgotten Prospect Hill Cable Cars and the Douglas Head Tram Cars, as well as the early days of the Steam and Snaefell Mountain Railways. In addition to the extensive archive footage the programme takes us onboard the restored electric railway from Douglas to Ramsey via Laxey and the dramatic ascent to Snaefell with its spectacular views over the Island. We also travel on the Steam Railway through the picturesque countryside to Port Erin visiting the Railway Museum with its extensive range of memorabilia and artefacts. Railways of the Isle of Man provides a fascinating insight and a lasting memento of one of the worlds truly unique transport systems.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
The fascinating and tumultuous lives of Mikhail, Boris and Denis Kaufman (better known as Dziga Vertov) are the focus of this powerful documentary. Using rare archival footage from Russian state film archives and private collections, the brothers' lives and art are traced from Bialystok to Moscow, Paris, and Hollywood.
The Force presents a cinema vérité look deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.
While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.
Uncompromising millennial radicals from the United States and the United Kingdom attack the system through dangerous technological means, which evolves into a high-stakes game with world authorities in the midst of a dramatically changing political landscape.
A documentary about Cairo Jazz Festival's Amr Salah and his struggle every year to bring people and arts together in a country where 70% of people are under 30 and the Officials do not care about culture too much.
WAR OF WORDS is an energizing, controversial and inspiring feature documentary that lifts the lid on the fast growing UK Battle Rap scene. The documentary is an examination of an exciting subculture of youth in the UK today; their creativity and work ethic, their passion for language and ability to control their own destiny. It investigates freedom of expression and respect for other cultures and lifestyles. While the language is often harsh and unflinching, the 'anything goes' philosophy of the battle arena results in one of the most harmonious and creative scenes in youth culture. The film is a truly entertaining expose on how the UK has embraced this American art form, creating one of the most exciting youth subcultures happening right now.
Donkeys inhabit and communicate with each other - and the filmmakers - in a Sanctuary.