Mosaic: Love & Marriage

"Giraffes: The Forgotten Giants" delves into the reasons behind the "silent" extinction of giraffes worldwide, and introduces us to the scientists who are gathering new information that may stave off their decline.

The film follows physician Dr. Hamza al-Khatib and nurse Um Ibrahim in al-Quds Hospital, by then the last operational one in besieged East Aleppo, through the lenses of photographer Abd Alkader Habak. Amidst the misery and death, they, with other main characters managed to find moments of love, fun and laughter. With them we live the time of despair but also that of hope. Until the moment comes where they were all forced to leave with no return, for now at least.

Berkay Özdinç turns the ghost hotel into a protagonist, which conduces to the meeting of his parents and is thus associated with his existence. In the film which goes over the places, while wandering in the current state of the hotel, he reawakens the memory of the place with his parents’ narration.

In this searing documentary, Indigenous people share heartbreaking stories that reveal the injustices inflicted by the Canadian child welfare system.

In 1991 three teen girls called Midi, Maxiand Efti became celebrities over night and the suburb Akalla was suddenly known all over Sweden. Fifteen years later two old friends try to make a film about the phenomenon. But Midi, Maxi and Efti no longer have contact, and they are not at all interested in talking about the past. A melancholically journey to the past by two friends who have a hard time letting go. "I like it like it is and I like it like it was but I'm not so sure any more any any more..." From the song "Bad Bad Boys" by Midi, Maxi & Efti.

The brutal and often poignant story of a boy trapped in the body of a girl. It takes us on the journey of a typical Afrikaans child who faces self-hate, societal rejection, doubt and ultimately healing. A story about a transgender child fighting to find their place in the world.

A personal documentary about gay marriage in Brazil that focuses on the filmmaker Fábia Sartori Fuzeti, who opens the film by proposing to her partner Gabriela Torrezani. The movie follows their footsteps from that moment until their big day. At the same time, it explores the lives various gay and lesbian couples that got tied the knot since the Brazilian Supreme Court legalised gay marriage in June 2011.

Love in a concentration camp. A young Jewish gay man, Otto, is protected by a "kapo" (a fellow prisoner) and an SS guard who unexpectedly ends up saving his life.

This documentary takes you on a brief walkthrough of the Vinegar Syndrome headquarters in Bridgeport, CT. Included with the "Lost Picture Show" box set.

In the midst of a pandemic, government arbitrariness and the precariousness of Brazilian artists, the documentary shows how these four rappers resisted the difficulties of this period using only one weapon... music. Using plurality, creativity and cleverness, how did they produce music? What role did music play in this period? What did they have to do to stay alive as rappers?

Dusty, a Baltimore motorcycle builder, finalizes his shovelhead chopper named Gloria.

Segismundo Morey has spent his last few years facing the challenges imposed by Andrade’s rare disease. This medical condition, which affects his nervous and muscular system, has left a deep mark on his daily life and that of those around him. Over the years, Segismundo has had to overcome physical and emotional obstacles, dealing with difficulties in walking and moving normally. However, despite the constant challenges, he has found comfort and strength in the unconditional love and support of his family. Together, they have faced the adversities of Andrade’s disease, forming an indestructible bond that has been key in their shared journey.

‘Chanel’ in Myeong-dong in the 1970s was the secret hideout for Butches and Femmes. In 1996, young lesbians opened Korea’s first lesbian bar, Lesbos. In the early 2000s, queer teens looking for a community gathered in a small park in Sinchon. Myung-woo, who ran ‘Lesbos’ nearby, was still guarding the place 20 years later. As the coronavirus crisis hit, the bar has lost its customers. Will she able to protect the place this time?​

It all started when Astrid was going to move to Gothenburg. A first-hand lease in an apartment district turns into a hub for 13 years of life. Many people have lived and slept here. Love has bloomed and life has been changed.

In 1968 Herz Frank made Without Legends (Bez leģendām) at the Kuibishev studios, together with Aloizs Brenčs and Aleksandr Sazhin. The film is based on the memoirs of Hero of Socialist Labor Professor Ivan Vasilyevich Komzin, former head of construction of the V. I. Lenin Volga Hydroelectric Power Station; Hero of Socialist Labor excavator operator V. Klementyev; Honored excavator operator Viktor Vasilyevich Starikov; and writer Konstantin Kirillovich Lapin. Documentary filmmakers from Kuibyshev were making a film about the excavator operator and Hero of Socialist Labor, Boris Yegorovich Kovalenko. However, the material turned out to be too ambiguous to create a film about a model Soviet working man. They turned for advice to the Riga-based documentary filmmaker Herz Frank. He shot additional footage and edited the collected material in such a way that it became a story without legends—about an ordinary person.

Fifty years on from the partial decriminalisation of homosexuality in the UK, this BBC Two documentary explores how safe it is to be gay in Britain today. With homophobic hate crime on the rise, this film takes a 360 degree look at the issue, hearing from the victims, their families and the police. What makes someone attack another person because of their sexuality? How do victims deal with these unsolicited and unprovoked assaults? And what are we doing about this in Britain in 2017?

One of the highest achievements of the new wave of Kirghiz cinema, which emerged in the mid-1960s. This story of a boy building sandcastles on the shores of the Issyk-Kul Lake becomes a documentary parable on the tensions between an artist and society.

This poetic core in youngsters is also touched in Stanukina's less known Your very personal poetry (Свои, совсем особые стихи, 1982), a wonderful film about a poetry class. It is here that one recalls Kogan's admiration of Lyalya's emotional documentary skills. And it is here that one recalls Kosakovsky's depiction of Lyalya as a person of extraordinarily prosperous feelings, sensitive and energetic, childish and female, shrill and quiet. The young poets are marvellously sneaky, respectfully adoring and creatively playing with - maybe even deconstructing - "Aleksandr Sergeevich", Mr. Pushkin, Russia's exclusive trade mark of high culture and literature.

Movie-lesson observations in the classroom teacher of the Leningrad Conservatory honored artist of the RSFSR N..The Serval. Forty physical steps from the Leningrad Conservatory to the Kirov (Mariinsky) theatre - the way of the artist, overcome, physically and emotionally exhausting rehearsals. Great camera work.

A film about a simple village woman Zinaida Zvereva who married a disabled frontline soldier and lay all the hardships of living together onto herself