Spider-Man: All Roads Lead to No Way Home

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

How does a machine learn to read the world? Testimonies and screen recordings introduce the experience of online micro-workers from the Global South: their job is to teach the AI of self-driving cars to navigate the streets of the Global North.

Good Morning in Singapore.

A woman in Pakistan sentenced to death for falling in love becomes a rare survivor of the country's harsh judicial system.

When Bill Babbitt realizes his brother Manny has committed a crime he agonizes over his decision to call the police.

The story of how the original Godzilla went from idea to script to screen.

In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.

Nostradamus writes a letter to his young son, and his prophecies are compared to events of the French Revolution.

A sociological meditation on the different "exits" that young Palestinians choose, in order to cope with life in the refugee camps.

Pontormo and Punks at Santa Croce

Wylie carries a telescope through the streets of Los Angeles to offer passersby a new and closer look at a familiar object: the moon. Because everyone needs to keep looking up. Because it is a beautiful and wondrous sight to behold the body of the moon.

A look at the many attractions, resort hotels, and other amusements at Walt Disney World in its first year of operation.

In 1971, John Lennon and Yoko Ono embark on a search for a girl named Kyoko. On April 23rd, they are arrested by the police at a hotel in Palma de Mallorca, Spain.

“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.

Despejadas

Joseph Wilson meets the dance teacher fighting transphobic violence through voguing in Rio’s favelas.

A sort of documentary on the people known to have fallen out of windows in a certain time frame in a certain geographical location. One of Greenaway's early short films.

Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.

Mein Wunschland

An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.