Punk rock, B-movies, and Jehovah’s Witnesses unite in this heartfelt documentary. As members of Jehovah’s Witness start to explore culture outside of their religion, they have to wrestle with the possibility of being excommunicated from friends and family. Featuring in-depth interviews and extensive home video footage, Witness Underground tells the story of punk rocker Witnesses pushing against the highly controlling Jehovah’s Witnesses religion as they build their own community through music and art. This prolific community of Witness musicians create their own record label, Nuclear Gopher, and become early adopters of promoting their music through the internet, including what may have been the first album to ever be livestreamed. This community’s history is well documented through archival footage of their home movies and self-produced music videos, all with a very charming energy.
After a long period in life identifying as a Butch Lesbian, Cuthand considers transitioning to male. After a considerable amount of thought and discussion, Cuthand changed her mind and decided to remain a Butch Lesbian. Explaining her decision, she touches on the desire to maintain a connection to the Lesbian community, as well as the sexy genderfucking that happens when one is a masculine woman.
A mother and daughter, estranged by divorce and mental health issues, reconnect through patience, understanding, and their a shared appreciation of their Native Hawaiian heritage.
The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?
The King family is from Badger's Quay near Greenspond, Newfoundland with over 40 family relatives still living there. The entire community has a population of only 400. Actor/musician Greg King takes us on tour of his family homes, and to meet his father and sister, who work at the hospital where they were all born. They tell of the importance of family and the irony of feeling worldly while connected to a small community in central Newfoundland.
In 1975, as America faced social and political upheaval, filmmakers turned chaos into art.
The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.
During the women's demonstration on March 8, 1972, Mariasilvia SPOLATO was there with a placard: Liberazione omosessuale. A month later, Simone de Beauvoir came to Rome to give an interview, and this placard illustrated her article. Mariasilvia could no longer teach, ended up homeless and spent her life on the trains.
A live recorded performance of Castle Atom, a band from the MD/DE area. Six songs are performed, intercut with random conversation and interludes.
SHINE tells the story of Mike Straughter, the owner of Chase Shoe Shine Parlor in Houston’s historic Third Ward — a neighborhood long regarded as a cradle of civil rights activism and cornerstone of African American culture. For more than two decades, Mike has offered far more than a shine — he’s created a gathering place where people from all walks of life find belonging, conversation, and kindness. His shop has grown into a quiet engine of community outreach, where customers roll up their sleeves alongside him to help people in need. An intimate, character-driven documentary, SHINE captures the quiet influence of a man rooted deeply in his neighborhood — a reminder that human connection still matters and can grow in the most unexpected places.
A dash of youth, a pinch of age, and an unrecorded recipe: Mudder's Hands is a charming documentary conversation about arthritis, centered around the tradition of baking Newfoundland raisin bread.
THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.
An archive-driven exploration of the life, work, and legacy of iconic, pioneering lesbian filmmaker Barbara Hammer.
: Music and its History
Edie Bouvier Beale and her mother, Edith, two aging, eccentric relatives of Jackie Kennedy Onassis, are the sole inhabitants of a Long Island estate. The women reveal themselves to be misfits with outsized, engaging personalities. Much of the conversation is centered on their pasts, as mother and daughter now rarely leave home.
An independent documentary about the unprecedented struggles of movie theaters and the film industry as a whole during the COVID-19 pandemic
This short documentary looks at the government relocation of the Labrador Inuit and the effects on their culture and social structures.
A mini documentary about the untold contributions lesbians made during the A.I.D.S epidemic.
The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.