My Left Breast

A portrait of the life and career of Robert Downey Sr. (1936-2021), the visionary and fearless US filmmaker — father of actor Robert Downey Jr. — who in the sixties and seventies laid the foundations for countercultural comedy.

The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.

A live recorded performance of Castle Atom, a band from the MD/DE area. Six songs are performed, intercut with random conversation and interludes.

This short documentary looks at the government relocation of the Labrador Inuit and the effects on their culture and social structures.

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

At 31, filmmaker Joanna Rudnick faces an impossible decision: remove her breasts and ovaries or risk incredible odds of developing cancer. Armed with a genetic test result that leaves her vulnerable and confused, she balances dreams of having her own children with the unnerving reality that she is risking her life by holding on to her fertility.

Three teenagers — Amelio, Blake and Kira — each begin their gender transition, supported in different ways by their families. This deeply sensitive documentary follows them between ages 15 and 17 as they navigate the emotional and physical challenges of being transgender. For them, puberty brings intense distress, as their developing bodies do not align with their true gender identity. The film explores the difficult questions faced by parents and doctors: whether to medically delay puberty, start hormonal treatment, or wait and risk worsening the teens’ suffering. Through moments of doubt, upheaval and hope, the documentary offers an intimate look at three young people who want only one thing — for the outside world to see them as they know themselves to be.

During the women's demonstration on March 8, 1972, Mariasilvia SPOLATO was there with a placard: Liberazione omosessuale. A month later, Simone de Beauvoir came to Rome to give an interview, and this placard illustrated her article. Mariasilvia could no longer teach, ended up homeless and spent her life on the trains.

This feature-length documentary paints a lively portrait of Father of Confederation and first premier of Newfoundland Joseph Roberts Smallwood, or "Joey," as he is known to most Canadians. Following one of Canada’s most colourful political figures during a two-and-a-half-month period that included a stormy Liberal leadership convention, the film reveals a man misunderstood even by his close associates.

This is Love tells the romance stories of 3 Nigerian LGBTQ+ couples and how they navigate romantic relationships in a conservative and hostile Nigerian environment. It is an attempt to humanize LGBTQ+ people in Nigeria by telling a story of how they find love amidst the risks and struggles. The cast includes a lesbian couple, a gay couple and a couple made up of a transman and a ciswoman. It covered conversations around acceptance, religion, health, the Same-Sex Marriage Prohibition Act (SSMPA), and finding love. 2 out of the 3 couples wore masks and had their voices distorted. Aside from helping to conceal the identity of the cast, the mask and distorted voices are also symbolic of the double life LGBTQ+ Nigerians have to live for their safety and security.

Ricardo, Natalia's father, suffers from Parkinson's disease; in that condition he stopped producing Dopamine. Surviving a very strong family crisis, Natalia told them her sexual orientation. She does not understand why after being left-wing militants and fighting for equality and freedom, they could not accept her choice.

La Stanza Di Una Formica

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

Captured during the early days of production, this unreleased film offers a glimpse into its rehearsal sessions — an intimate icebreaking moment where the cast come together through song and rhythmic clapping.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.

Raise Her Up follows the historian, advocate, and artist creating a statue of Armine Gosling, marking 100 years of womens suffrage in Newfoundland.

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

At the end of high school, Zátonyi has to decide whether graduating or dating is more important. And for Kővári, the emergence of Leslie, who sees her future in drug dealing, could mean easy money. The two buddies almost miss the university entrance exam, but before that, they have to grow up a little bit for the task.

Four years after Pour la suite du monde (1963), director Pierre Perrault asks Alexis Tremblay if he'll agree to travel with his wife Marie to the country of their ancestors, France. In a montage parallel, we follow them in France and listen to them talking to their friends about it.

Vinicius is a young cellist who lives in the far east of the metropolitan region of São Paulo and is a member of the State Youth Orchestra. He talks about the contrasts he experiences every day as a musician in Latin America's largest city, the prestige of playing at the Sala São Paulo, one of the best in the world, and the human degradation that surrounds it, individual and collective artistic expression in an orchestra, the sublime of the concert and the harsh reality of life on the ground, about the continuous search for erudition, the role of his teachers in his career and the friendships and lessons he has learned along the way