Spine Tingler! The William Castle Story

Focussing on his early career, this profile looks at director Alfred Hitchcock’s breakthrough in silent films, acclaimed thrillers such as “The 39 Steps” (1935) and the influences which prompted his departure for a new life in America in 1939. Featuring Hugh Stewart, editor of “The Man Who Knew Too Much” (1934).

TCM host Robert Osborne discusses his life and career with guest interviewer Alec Baldwin in commemoration of Osborne's 20 years with the network.

Short behind the scenes making-of documentary about the filming of the sinking house palazzo and the Venetian piazza chase from the James Bond movie Casino Royale (2006).

A documentary about James Bond in the Bahamas.

A documentary about Ian Fleming.

A documentary about Ian Fleming.

Eight hundred German filmmakers (cast and crew) fled the Nazis in the 1930s. The film uses voice-overs, archival footage, and film clips to examine Berlin's vital filmmaking in the 1920s; then it follows a producer, directors, composers, editors, writers, and actors to Hollywood: some succeeded and many found no work. Among those profiled are Erich Pommer, Joseph May, Ernst Lubitsch, Fritz Lang, Billy Wilder, and Peter Lorre. Once in Hollywood, these exiles helped each other, housed new arrivals, and raised money so others could escape. Some worked on anti-Nazi films, like Casablanca. The themes and lighting of German Expressionism gave rise in Hollywood to film noir.

Entretien en six temps avec Gilles Groulx

Documentary about the making of "Lady Frankenstein" and the directing career of Mel Welles.

The latest work from Australian political satirist, cartoonist and filmmaker Bruce Petty contemplates our efforts to imagine the future using animated and live-action sequences, fiction and reality. An accident takes place during the filming of a documentary on the future and the film’s presenter (Rhys Muldoon) slips into unconsciousness. The actor’s muddled neurons recall fragments of his script, and he begins to consider humankind’s past and present imaginings of Utopia – an ideal and perfect state.

This promotional short film for "Soylent Green" (1973) begins by showing clips of films that depicted what the future might be like beyond Earth. The narrator then discusses the origin of the idea depicted in "Soylent Green." Director Richard Fleischer and star Charlton Heston discuss how an upcoming crowd scene will be filmed. Then we see what happens when the crowd riots because there is not enough food available to be distributed to everyone. "Soylent Green" was Edward G. Robinson's 101st (and, as it turned out, his last) feature film. During a break in filming, the cast and crew hold a ceremony celebrating the first film of his "second hundred," and Robinson makes appreciative remarks to the crowd. Studio head Jack L. Warner and friend George Burns are among those in attendance.

A documentary about the International Queer Film Festival Hamburg that celebrated its 25th anniversary in 2014. The filmmakers have filmed, interviewed, gleaned the archives, watched hours of footage and edited reams of material into a small masterpiece. With its gorgeous shots and sublime soundtrack, the documentary entertainingly brings across both the unique atmosphere and 25-year history, and above all, illuminates the complex mesh that both forms and carries the festival. On another note, the film tries to detect the ways a queer film festival like this has functioned as a platform for unheard voices - and continues to do so in the present. For some people, its sole existence has been a life changing momentum.

A documentary about the making of Evil Dead 2.

The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

Initially, Ambivalent Future was intended as a film about the production of Kiyoshi Kurosawa's "Bright Future". But director Fujii has taken the "behind the scenes"-concept to unprecedented heights with this unique documentary offering a close look into the world of Kiyoshi Kurosawa, the auteur. Scenes from the surprisingly low key and relaxed production of "Bright Future" are of course sprinkled liberally throughout the documentary, but between these we are treated to interesting and revealing interviews with actors, producers and Kurosawa's many other collaborators. And perhaps the most surprising thing of all is how much of Kurosawa there is, talking candidly about his working methods and the philosophy behind it all.

The film director, Carol Reed, is the subject of this documentary short. The illegitimate son of the famous stage actor, 'Sir Herbert Beerbohm Tree' , Reed was brilliant with actors, especially child actors, making him the perfect person to bring Oliver! to the screen. Reed is best known for three films he made in the late 1940s, and the documentary offers generous clips from Odd Man Out, The Fallen Idol, and the most famous of all, The Third Man. The film director, John Boorman, the assistant director, Guy Hamilton, the actors, Ron Moody and Bryan Forbes and the cinematographer, Oswald Morris, are among the interviewees.

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

Two great filmmakers discuss the evolution of film, 70mm and Tarantino's "The Hateful Eight".

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”