Listen

A field laborer fights to survive in a hostile environment. The appearance of a strange presence and a revolver will change his destiny.

Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.

For an anxious person, being trapped on a boat with someone you don't like can be the tense. Stuck for hours afloat, nothing on the line, bad conversation, and cold winds as resentment rises. Both people chained to a rod and tackle because one won't speak up and admit that they want to go home.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

Interview Record of New Artists

A young filmmaker trying to navigate the world of film finds himself caught in the grip of a Maelstrom that brings out the worst impulses in whomever it is passed to.

Follow Pete as he explores the struggles of an overwhelming new environment and finds comfort in the small things that remind him of home.

A WWII paratrooper gets lost in a forest as the line between reality and memory begins to blur.

Deep underground, Alexandre follows voices and sounds, leading him to a lost woman.

After a period of time where her hearing begins to overtake her sight, Casandra searches for the cause of her problem, isolating herself from society. She starts having visions that remind her of the past and promise an apocalyptic future.

A tale of separation portrayed through a rift between image and sound.

Noise, that abominable, unpleasant sound that robs us of our hearing. Noise pollution is indeed a problem, an anthropocentric problem; who cares about noise that doesn’t reach their eardrums?

In a strange twist of irony, Americans celebrate their independence on the sovereign lands of the Quileute People. An ambient soundscape coupled with the opening shot of an adjoining RV park work in unison to reveal an alien invasion on the shores of Quileute Tribal Lands.

"I swear, I wanted to make a “visual album” but this is literally the way the wind blew me this time."

At the Saarland Modern Galerie in Saarbrücken, Germany, songs from Unfurl, Asaf Avidan's new album, blend with masterpieces from a contemporary art collection that is as socially conscious as it is inspiring.

The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.

Alex Jaffray, music columnist for Télématin, shares his passion for music, which allowed him, as a child, to communicate with notes rather than words. He is a sampler packed with music and jokes that allow him to travel from prehistory to Gilbert Montagné, from Daft Punk to Booba, via the Eagles, Ennio Morricone, and Maître Gims. Recorded on June 26, 2025, at the Théâtre des Sources in Saint-Amand-les-Eaux, in the Hauts-de-France region.

A captivating journey through sound, science and story.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

The film follows five people who lost their sight in armed conflicts, gathering fragments of their present-day lives. Through an enveloping sound composition, veiled archival material, footage shot by the protagonists themselves, and a sensitive visual approach, the film explores memory, perception, and our relationship to the visible. Steering away from spectacle, it invites us to hear what often goes unheard, and to feel differently. In an age saturated with images, this documentary offers a sensory experience where listening becomes a gesture of resistance and human reconnection.