Stern: The Man, the Gang, and the State

Relentless: The Struggle for Peace in the Middle East was produced by the pro-Israel media watchdog group HonestReporting [sic]. The concentrates on the causes of the Second Intifada through an examination of compliance the Oslo Accords, by Israel and the Palestinian Authority. It pays particular attention to the failure of the Palestinian Authority to "educate for peace". The documentary shows interviews with Itamar Marcus, director of Palestinian Media Watch, S. El-Herfi, Raanan Gissin, Caroline Glick, John Loftus, Sherri Mandel, Yariv Oppenheim, Daniel Pipes, Tashbih Sayyed and Natan Sharansky.

In the fall of 2002, it was announced that Benjamin Netanyahu would deliver a speech at Concordia University in Montreal, and reaction from the student body was swift and sudden.

An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.

In Breaking Bread, exotic cuisine and a side of politics are on the menu. Dr. Nof Atamna-Ismaeel - the first Muslim Arab to win Israel's MasterChef - is on a quest to make a social change through food. And so, she founded the A-sham Arabic Food Festival in Haifa. There, pairs of Arab and Jewish chefs collaborate on mouthwatering dishes like kishek (a Syrian yogurt soup), and qatayef (a dessert typically served during Ramadan), as we savor the taste of hope and discover the food of their region free from political and religious boundaries.

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

A film essay by Asher de Bentolila Tlalim, an Israeli filmmaker living in London, GALOOT ("Exile" in Hebrew) is an extended meditation on the Israeli-Palestinian conflict through the eyes of those living at a distance. Through international visits (London, Israel, Morocco and Poland) and dialogue-with Palestinian refugees, the new immigrants to Israel who now occupy their homes, the current occupants of his family's former house in Tangiers, the residents of the former village of his wife's family in Lisensk, a scientist, a jazz musician, and others-the filmmaker explores the position of exile, with its unique pain and perspective on what others may be too close to perceive.

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

Unpublished testimonies from freed hostages, survivors, and members of first responders regarding the attacks perpetrated on Israeli territory on October 7, 2023, by the terrorist gang Hamas reveal the repugnant extent of the crimes committed by the so-called Palestinian freedom fighters.

An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.

Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.

14 years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.

When two young American Jews raised to unconditionally love Israel witness the mistreatment of Palestinians, they battle the old guard to create a new movement opposing Israel’s occupation, and recentering Judaism itself.

So many Israelis still wax nostalgic about that old Friday afternoon ritual, back in the times when television had just one channel. Everyone would watch the Arab movie of the week, but did anybody ever wonder how Israel’s official TV station was able to transcend hostile boundaries to obtain these films, and why it insisted on showing movies made by “the enemy”? The Arabic-language movie from Egypt let some of us escape back to our original homeland, and let others peek out from our “villa in the jungle” and catch a glimpse of our neighbors across the border. But most of us didn’t really want to see the people whose culture, anguish, and aspirations were reflected on our screens. “Arab Movie” brings us the stars and the songs, the convoluted plots, and that fleeting moment when we shared the same cultural heroes as everyone else in the Middle East. But this film about the richness and intensity of Egyptian cinema also raises some disturbing questions.

Follows the repercussions of the Israeli Security Wall and Settlement expansion in the engulfed/annexed Palestinian farming communities of the West Bank and the Gaza Strip, examining the grassroots resistance movement that sprang up against it. An interminable road trip across hard and liquid borders, across a terrain that is being erased as it is being traversed.

Archival film maestro Göran Hugo Olsson has assembled—from a vast catalogue of footage in the vaults of Sweden’s national television service SVT—accounts of the Israeli-Palestinian conflict as witnessed and represented by Swedish journalists. Stories of the beginning of the Israeli state interwoven with the Palestinian struggle for independence. News coverage with Yasser Arafat and interviews with Israeli foreign minister Abba Eban during a visit to Sweden unseen since first broadcast. From the tenth anniversary of Israel’s founding to the First Intifada, perspectives and encounters with statesmen, civilians, revolutionaries, and intellectuals tell the story from myriad angles of an evolving media landscape, revivifying a history of the ongoing conflict.

When, in the late 1990s, Israeli student Teddy Katz exposed the massacre of Palestinian civilians by Israeli forces in the village of Tantura, in May 1948, during the first Arab-Israeli war, he was initially praised for his pioneering work; but he was soon infamous and branded a traitor. Decades later, incendiary new evidence emerges that corroborates Teddy's findings.

A forensic investigation into the impact of Israeli military operations on Gaza’s healthcare system. This urgent documentary examines evidence of widespread destruction across the territory’s medical infrastructure, where all 36 main hospitals have reportedly been damaged or destroyed. Hundreds of healthcare workers — including doctors and surgeons — are known to have been killed, injured or detained, with some alleging imprisonment and mistreatment

Tinder. Woman looking for a man, man looking for a woman. It could have been so simple if she wasn't Israeli and the "man nearby" wasn't behind the wall, in the East Bank of the Jordan River. Israeli filmmaker Ines Moldavski meets Palestinian men she met on the Internet to get them to talk about their need for love and desire to possess.

While much of the world struggles to keep the planet going, a frighteningly large group of American fundamentalist Christians are working to promote the apocalypse. The evangelical movement is convinced that they will be saved when Jesus appears in the state of Israel on horseback and, with a sword raised to heaven, kills the infidels so that the blood reaches the horses’ bridles. Natural fires, corona, wars and crises are evidence that the time is nigh. But for the prophecies to be realized, the state of Israel has to grow stronger, so they provide huge financial support and are so far inside the White House that they help influence US foreign policy.

The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.