The President, April 1968

Based on newly declassified files, the film explores the US government’s surveillance and harassment of Martin Luther King, Jr.

Jack Kelley volunteered for Vietnam. As an army captain, he routinely led his company of 140 men on patrols in the jungles near Biên Hòa. Ill-conceived orders came down from higher command: On June 29, 1966, Capt. Kelley was to spread his platoons 1,000 meters apart in order to cover more area while looking for Vietcong forces. During the patrol, the 3rd platoon stumbled upon an embedded Vietcong main force battalion. Outnumbered by nearly 10 to 1, the platoon was blindsided by a fierce attack. The triple-canopy jungle was dense and the terrain muddy, making rescue all but impossible. The film is a journey to understand what the filmmaker's father and seven survivors went through in 1966, and what they continue to go through today. Some volunteered for the army as teenagers. Others were drafted. Some went back to Vietnam years later with the hope of finding closure and peace.

Pilots, bombardiers, and navigators tell their own story of the air war over North Vietnam through on-the-spot interviews filmed between actual combat missions. Tension-packed pilot briefings, ground preparations of B-52 bombers and F-105 fighters, and exciting take-off and landing scenes highlight the action sequences of this film.

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

Part History Channel, part visual diary, and part mesmerizing abstraction, Allan Sekula’s video, A Short Film for Laos, 2006, takes the measure of day-to-day life in what the narrator describes as “the most bombed place on earth.”…

The Vietnam War during the JFK years and beyond. Made in 1972 in the filmmaker's apartment, without documentary footage of the war, metaphors are created through the animation of images and objects, and through guerrilla skits. By rejecting the authority of traditional documentary footage, the anarchist spirit of individual responsibility is established. This is history from one person's point of view, rather than a definitive proclamation.

The art of the cutaway.

Baltimore City officials asked drug kingpin Melvin Williams to stop the riots happened following Martin Luther King's assassination. After helping the authorities out, Williams was then labeled a threat, framed and incarcerated by a hypocritical society.

A quarter of a million drug addicts —one of the most serious consequences of the Vietnam War. These addicts were the citizens of the South, and of Ho Chi Minh City, the former Saigon. Shot in 1981 by three Australian women, Changing the Needle was the first in-depth film to be made about Vietnam’s unique approach to drug rehabilitation at a time when few foreign film crews had access to Vietnam at all.

Sir! No Sir! is a documentary film about the anti-war movement within the ranks of the United States Military during the Vietnam War. It consists in part of interviews with Vietnam veterans explaining the reasons they protested the war or even defected. The film tells the story of how, from the very start of the war, there was resentment within the ranks over the difference between the conflict in Vietnam and the "good wars" that their fathers had fought. Over time, it became apparent that so many were opposed to the war that they could speak of a movement.

Vietnam 1967: Military intelligence has collapsed, Viet Cong have infiltrated the clandestine American spy network, and the U.S. can't rely on the South Vietnamese. John Murphy, then an elite adviser, analyst, and operative for the Army, CIA, and South Vietnamese intelligence services, reveals the gray areas of critical, on-the-ground intelligence work, where trust is hard-won and easily lost.

This color educational film is about Anti-Vietnam Protestors in Washington D.C. during late April/Early May 1971. The 1971 May Day Protests were a series of large-scale civil disobedience actions in Washington, D.C., in protest against the Vietnam War. This was made in 1971 by the Metropolitan Police Department.

Thirteen veterans are given an opportunity to reveal their experiences in Vietnam and to talk about the frustrations they have encountered upon returning home.

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

Combat in the Air - Close Support in Vietnam

During the war in Vietnam, thousands of people in the Vietnamese province of Cu Chi lived in an elaborate system of underground tunnels. THE CU CHI TUNNELS is the story of life underground told by the people who lived the experience.

How does a nation slip into war? Dateline-Saigon profiles the controversial reporting of five Pulitzer Prize-winning journalists -The New York Times' David Halberstam, the Associated Press' Malcolm Browne, Peter Arnett, and legendary photojournalist Horst Faas, and UPI's Neil Sheehan -- during the early years of the Vietnam War as President John F. Kennedy is secretly committing US troops to what is initially dismissed by some as 'a nice little war in a land of tigers and elephants.' 'When the government is telling the truth, reporters become a relatively unimportant conduit to what is happening,' Halberstam tells us. 'But when the government doesn't tell the truth, begins to twist the truth, hide the truth, then the journalist becomes involuntarily infinitely more important.'

This High Definition, PBS miniseries uses letters, diaries, speeches, journalistic accounts, historical text and military records to document and acknowledge the sacrifices and accomplishments of African-American service men and women since the earliest days of the republic.