Medio siglo de cine. 50 Aniversario del Festival de Cine Iberoamericano de Huelva

A portrait of the filmmakers grandmother made from self scanned 8mm footage from 1940's-1960's. Commissioned for the 2026 True/False Film Festival.

Argentinean filmmakers talk about the Buenos Aires Rojo Sangre Film Festival and the history of genre cinema in Argentina.

A cheerful road movie all about Belgian films at Cannes over the past 70 years. Filmmakers from the past converse with those from the present to paint the portrait of a cinema that is both diverse and free. An account of Belgium’s participation in the greatest film festival in the world.

In Park City, Utah a group of independent filmmakers attend a shoestring film festival and experience the oft-regular disillusionment of the low budget film world. However, they enter the orbit of the one man running the show and decide to come back the following year to help and change what was a beautiful disaster the year before.

A documentation and celebration of 13 years of the Horror-on-Sea film festival in Southend-on-Sea, Essex, U.K.

Director Robert Kolodny draws parallels between the Harry Houdini's conjuring power of sleight of hand and the creative process of hand crafting works of film. Commissioned for the 2026 True/False Film Festival.

Under the Palace Wall

Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

25 years after 9/11, discover how Robert De Niro and Jane Rosenthal transformed an ambitious effort to revive Lower Manhattan into one of the world's leading cultural institutions. Through rare archival footage, exclusive interviews and behind-the-scenes access, explore how art can foster community, confront injustice, and help shape culture.

A documentary which covers Splatterfest ’90, the notorious all-night horror festival held at London’s legendary Scala Cinema.

Das deutsche Woodstock - Flower-Power in der Pfalz

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

A meta-documentary exploring two filmmakers' vlogs from a film festival and the dark geopolitical realities they faced through it, while attempting to make sense of it via artistic musings and abstract editing.

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Programmers, filmmakers, and attendees past and present chart the history of BFI Flare to mark its 40th anniversary, from parties to politics. Beginning life as Gays' Own Pictures in 1986, over four decades BFI Flare: London LGBTQIA+ Film Festival has evolved with its audience, encompassing the multifaceted nature of queer cinema and bringing a springtime celebration of LGBTIQA+ film to London's Southbank. To celebrate the festival's 40th, which starts on March 18th, the festival's programmers - current and former - along with film-makers and attendees chart BFI Flare's history, explaining what makes queer cinema culturally and politically important and celebrating the screenings, events, Q&As, parties and people that make up BFI Flare.

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

Buckle your seatbelts for a wild behind-the-scenes look at indie filmmaking. Three teams based in Atlanta, Georgia frantically compete against the clock and other filmmaking crews from across the US and around the world for top honors and recognition at the 2024 100-Hour Film Race.

When the artist loses inspiration, she turns towards the overlooked things that tend to fuel us the most