Medio siglo de cine. 50 Aniversario del Festival de Cine Iberoamericano de Huelva

A cheerful road movie all about Belgian films at Cannes over the past 70 years. Filmmakers from the past converse with those from the present to paint the portrait of a cinema that is both diverse and free. An account of Belgium’s participation in the greatest film festival in the world.

Six friends document their trip from Cork to Portmagee, County Kerry for the May the 4th Sci-fi film festival where one of their short films is screening.

Argentinean filmmakers talk about the Buenos Aires Rojo Sangre Film Festival and the history of genre cinema in Argentina.

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

Bomb Hunters is an engrossing examination of the micro-economy that has emerged in Cambodia from untrained civilians harvesting unexploded bombs as scrap metal. The film explores the long-term consequences of war and genocide in an attempt to understand the social, cultural, and historical context and experiences of rural villagers who seek out and dismantle UXO (unexploded ordnance) for profit. Part of a global economy, these individuals clear UXO from their land in order to protect their families from harm and to earn enough money to survive. Bomb Hunters is an eye-opening account investigating the on-going residual, persistent effects of war experienced by post-conflict nations around the globe, and the complex realities of achieving "peace".

Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

Das deutsche Woodstock - Flower-Power in der Pfalz

How could the Cannes Film Festival become the biggest cinema event in the world? For 75 years, Cannes has succeeded in this prodigy of placing cinema, its sometimes paltry splendors but also its requirements of great modern art, at the center of everything, as if, for ten days in May, nothing was more important than it. This film tells how Cannes has become the largest film festival in the world by opening up to cinematic modernity while never forgetting that cinema remains a performing art, a popular art.

A documentary which covers Splatterfest ’90, the notorious all-night horror festival held at London’s legendary Scala Cinema.

When the artist loses inspiration, she turns towards the overlooked things that tend to fuel us the most

After being "broken up with" by her oncologists, a sarcastic young cancer patient — or should I say survivor — struggles to adjust to life at home with her multicultural family during her first day in remission. www.badsurvivor.com

An original semi-autobiographical coming-of-age drama very loosely inspired by Max Hechtman's adolescence and college experience as a young filmmaker.

After narrowly escaping an Antagonist, the Protagonist receives an unwanted phone call concerning the future of his world, but not everything is as it seems.

An aspiring filmmaker interrogates her father, a seasoned director stuck in creative limbo, about his unfinished project - an investigative documentary entering its 13th year of production.

A Hamlet-inspired tale of two sisters running their late mother's business. When one sister has a run-in with her (presumed to be dead) mother, chaos ensues.

Jon, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support Jon on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.

These two men need information, and they'll use every pun in the book to get it.

Filip buys an 8mm movie camera when his first child is born. Because it's the first camera in town, he's named official photographer by the local Party boss. His horizons widen when he is sent to regional film festivals with his first works but his focus on movie making also leads to domestic strife and philosophical dilemmas.