Hunters have disappeared from wildlands without a trace for hundreds of years. David Paulides presents the haunting true stories of hunters experiencing the unexplainable in the woods of North America.
This in-depth look into the powerhouse industries of big-game hunting, breeding and wildlife conservation in the U.S. and Africa unravels the complex consequences of treating animals as commodities.
One day in the lives of an average Greenlandic family, which happens to be of great importance for 8-year old Kali - he's about to catch his first prey with the harpoon. The whole family is looking forward for the huge step in boy's maturation.
This is the untold story of a Nazi vision, that went far beyond the military conquest of European countries. As part of their crazed dream to create a thousand-year Reich they developed detailed blueprints for Aryan settlements and vast hunting parks for ‘Aryan’ animals. Goering and Himmler employed Germany’s best scientists to launch a hugely ambitious programme of genetic manipulation to change the course of nature itself, both in the wild and for domestic use. In a fascinating blend of politics and biology, Hitler's Jurassic Monsters is the true and asthonishing story of how the Nazis tried to take control of nature and change the course of evolution.
An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.
A group of outdoorsmen demonstrate duck hunting as a preliminary to traveling the various hunting and fishing centers of the world. They begin their journey with a trip to the Rocky Mountains to hunt elk and mountain lions and to fish in the freshwater lakes. They travel to Lac la Ronge in Saskatchewan and to Anchorage and the Katmai Peninsula in Alaska to fish for trout, salmon, and grayling and hunt moose and bear. In the Arctic, the hunters go with a group of Eskimos for their biggest catch, the polar bear. The hunters travel south by plane, to the Fishing Club of Panama to fish for marlin, tuna, shark, and dolphin in the Gulf of Panama. In South Africa and the Zambesi River basin, they often hunt with only a camera. Accompanied by native beaters, they hunt elephants, antelope, buffalo, crocodiles, and hippopotami. As conservationists they capture some almost extinct white rhinoceros and take them to a game preserve for protection.
This grisly documentary presents horrifying journalistic footage of suicides, assassinations, bombings, mob hits, decapitations, and more in bloody detail. Not for the faint of heart.
Le peuple de l'aigle et moi
Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed, narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack…. Natsik Hunting is believed to be Canada’s first Inuk-directed film. – NFB
Two hunters set out on safari with their African guide. They observe zebras, an ostrich, and a hippopotamus, capture a monkey, and camp for the night. After a lion kills their goat and horse, they shoot it by the water’s edge and later kill a second. The animals are skinned, and the hunters relax with cigarettes beside their trophies. (Note: Produced by Nordisk Film in 1907, Løvejagten gained notoriety because founder Ole Olsen purchased lions from Copenhagen Zoo, released them on an island, and filmed their killing. Supplemented with zoo footage to simulate Africa, the film caused public outrage yet drew huge audiences, establishing Nordisk’s reputation worldwide.)
Mr. Burbridge's party slew three giant gorillas, one weighing something like 450 pounds. Two of these were sent to the Belgian Government and one to the Smithsonian Institution. The explorer also brought away with him three young gorillas, one of which weighed 125 pounds and put up a good battle before he surrendered. Mr. Burbridge shows some amusing scenes with these animals, one of them being that of a young gorilla who insists on getting tangled up in a drum of film. (cont. http://www.nytimes.com/movie/review?res=9B04E5D7143CEE3ABC4C52DFB467838D639EDE)
Young ecologist demonstraters travel to the countryside to confront hunters. But one of them is willing to do anything to stop them.
Fast on his feet with a fat mustache, short stature, and investigative gaze. For a couple of days in the mountain, in his native land, we approach a man, strange and loud but nevertheless genuine and sensitive, a hunter. In his own way, Mr. Sotiris shines light on our bond with nature, history and man.
Shot To Death is the finest filmed, composed and edited movie I have in the Mark Sullivan Dangerous Game Collection. Without a doubt, Shot To Death features the finest maned lion and big leopard footage ever recorded. Filmed entirely on location on the banks of the famous Rungwa River Shot To Death entertains you with 11 heart-pounding hunts!
After an unsuccessful attempt in 1946 to film a traditional bangaoui (hippopotamus hunt) on the Niger River, Jean Rouch returns several years later to document the ritual in full. The film records the ceremonial preparations, spiritual practices, and seasonal hunt conducted by Sorko fishermen, situating the event within its cultural and ritual context rather than as spectacle.
In the bitter winter of 1978, four desperate council members from a small Virginia town hatched a daring Bigfoot hoax to save it from the brink of bankruptcy. But as the money grew, so did the greed-triggering the town's first unsolved murder.
In 2015 a lion in Zimbabwe named Cecil was killed by Walter Palmer, an American dentist, provoking a global outcry. The story of Cecil’s death turns the gaze back on to us and our behaviour. The simplicity of the outrage is a stark contrast to the complexity of the reality.
Superpowered Eagles
In the Faroe Islands, hundreds of pilot whales are slaughtered each year in a hunt known as the “Grind.” This gruesome tradition has drawn outrage from activists, most notably the international conservation group Sea Shepherd, who routinely sail to the islands to try to block whaling boats. Yet the Faroese are equally determined to maintain their tradition, defending the practice as more sustainable and less cruel than getting meat from slaughterhouses. Director Vincent Kelner spends time with both Faroese hunters and Sea Shepherd crusaders, building to a nuanced look at a disturbing event with much larger implications for the way humans relate to other creatures.
Despite his tender age, four year old Melvin Beebe is an expert archer. At his family's farm on the Olympic Peninsula of Washington state, Melvin uses only props as target practice. These practices however are only a prelude to his first hunting experience in the forests around the farm one spring morning. The purpose is to bring home trophies to mount on his walls. The animals he encounters that day change the focus of what he ends up bringing home.