Viktor

A retrospective about the world of the mineral, following different narrative lines, centered on housing, labor, transport, recreation among others. Original copy is lost, only 14 minutes are available.

Alexa Boulton interviews the students and teachers of Kelvin High School to uncover the possibilities for the future of cinema

A behind-the-scenes documentary of the making of Contour, an independent martial arts comedy made for only $6,000.

"Free Spaces" sketches a new and transformative image of four major cities in Eastern Europe. In te post-communist urban settings of Tbilisi (Georgia), Yerevan (Armenia), Chișinău (Moldova) and Kiev (Ukraine), Ina Ivanceanu follows artists and activists as they reclaim public spaces and assert their freedom of expression. Occupying a cinema, reviving an old Soviet circus, converting a grim metro passage into a glamorous arena, and repurposing a defunct factory building into a cultural agora. By seizing and creatively transforming public spaces characterized by an abondoned past, today's new generation explores democratic means and freedom while also confronting pervasive neoliberal structures in their respective societies.

In 1916, twenty-year-old Marion Wong wrote and directed The Curse of Quon Gwon, the earliest example of an Asian American film. What initially appears to be a story about a Chinese family cursed for allowing Western influence through the door, proves to be an illuminating examination of cultural diaspora years ahead of its time.Sandwiched between two global pandemics, this documentary follows the Wong family descendents as they secure The Curse of Quon Gwon its place in film history and new revelations rise to the surface.

A Paul Joyce documentary with Peter Bogdanovich

In the year of 2022, a late teenager and their friends film moments they would prefer not to forget: their long season.

24 February 2022: Russia invades Ukraine. Romain Goupil leaves for Kyiv in a hurry. It was an imperative decision for him to go and support the Ukrainian resistance by filming to bear witness. He left without knowing if he would find a family ready to welcome him to share with them life day after day under the threat of bombing. Finally, the Kyiv circus welcomed him. Romain spent a month in this closed environment imposed by the war on men and animals.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

The origin story of America's first horror theme park and the thrilling journey of its founder. David Bertolino began as a salesman in a Boston joke shop and moved into Halloween products and costuming before becoming a “Hauntrepreneur” and launching the iconic SpookyWorld.

An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.

A photographer explores the seldom noticed architecture in his home town.

The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.

La memoria inmortal

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.

After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.

Upon learning of his father's terminal illness diagnosis, a young, autistic, hearing-impaired artist travels back to Taiwan with a filmmaker to make a film in his honour.