Static

From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.

A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.

During Childbirth, a mother is told the child is stillborn, and she struggles to finish the birth in order to survive.

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.

The Road is a deeply personal experimental film by Jana Hammoudeh, chronicling her journey as a nomadic soul, always on the move yet never truly belonging. Shot across three separate road trips, the film blends visual poetry with intimate monologues in multiple languages, reflecting the fragmented nature of the protagonist’s life. The film’s segments—Leaving Amman, Scrambled Eggs, and Postcards to a Friend—explore themes of love, loss, and freedom. The first segment, set in Amman, presents a conflicted relationship with home, inspired by Charles Bukowski’s Let It Enfold You. The second, in French, revisits past romances, while the third, narrated in Kazakh and Urdu, contemplates departure and longing. Through dreamlike cinematography and raw reflections, The Road captures the bittersweet beauty of transient nature of life and self-discovery.

A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.

A couple, about whom nothing is known, finds itself forced to live in the abyss of the end of time-a time when a mysterious fog encompassed all our societal and moral achievements with unequivocal cruelty.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

"A vampiric Elf awakens in his eerie dwelling, where the arrival of disturbing figures through a mysterious portal unsettles the atmosphere. An enigmatic and mystical journey into the unknown."

Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.

History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.

Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Welcome to the 1980s TV horrorshow that never was. PHANTASMATAPES is a psychotronic VHS mixtape that reimagines THE REVENGE OF DR. X (a Japan-set creature feature that was written by Ed Wood) and THE BRAIN THAT WOULDN'T DIE (the savage body horror film that inspired FRANKENHOOKER) as a late-nite, home-taped double feature—complete with local TV commercials and a new synthesizer score from Taken by Savages (JUNGLE TRAP). Inspired by hazy memories of channel-surfing at the witching hour, this is a nostalgic and experimental art project from the minds behind Bleeding Skull.

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Spoiled seven-year-old Vanka lives a carefree childhood. Going with his father to the Maslenitsa holiday, Vanka meets a runaway deserter in the forest, about whom he tells the adults. This act instantly deprives Vanka of his childhood, and the father of his child. The event opens his eyes to the adult world in which the child will have to live on.