Moi, agricultrice
For years, right-wing politicians and pundits have repeatedly criticized the left for playing “the race card” and “the woman card.” This new film turns the tables and takes dead aim at the right’s own longstanding – but rarely discussed – deployment of white-male identity politics in American presidential elections. Ranging from Richard Nixon’s tough-talking, law-and-order campaign in 1968 to Donald Trump’s hyper-macho revival of the same fear-based appeals in 2020, "The Man Card" shows how the right has mobilized dominant ideas about manhood and enacted a deliberate strategy to frame Democrats and liberals as soft, brand the Republican Party as the party of “real men,” and position conservatives as defenders of white male power and authority in the face of transformative demographic change and ongoing struggles for racial, gender, and sexual equality.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
The lawyer Franziska Schlüter works for the Aescuria insurance and is responsible for processing applications for disbursement of occupational disability policies. The company policy provides as a guideline to prevent the approval as far as possible. When the widow of a victim, who committed suicide after being rejected, storms the office to loudly accuse these machinations, Franziska begins to doubt the correctness of her work and to rethink. She quits and works as a freelance lawyer to help injured parties legally to get their rights. First she deals with the case of a family in the neighborhood. The father has been in a wheelchair since an accident. However, the Strelaus have not yet seen any money from the insurance company. Initially not taken seriously by colleagues, the shy woman takes on the fight against the health insurance system and has to fight against resistance and above all with her own self-doubt.
A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.
Emerging artists seek to stay afloat in their industry whilst the Covid pandemic induces career threatening lockdowns.
Summer of revolution
In the 1980s, Michelangelo Antonioni traveled with his partner, actress and filmmaker Enrica Fico Antonioni, to Japan with the intent of creating a documentary, Un viaggio in Giappone, that would chronicle “the social transformations undergoing in Japan through the experimental use of new film technologies,” specifically the Betacam. Un pò di Giappone is the shortened version of the documentary.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
Documentary short film that follows a man on his last day at work and his first day as a retiree.
The film retraces the events of the Reggio Calabria revolt and reconstructs, with images of the protagonists and places, the atmosphere of those tragic days in the early 1970s.
Wet’suwet’en leaders unite in a battle against the Canadian government, corporations, and militarized law enforcement to safeguard their territory from gas and oil pipelines.
Carta Sobre Nosso Lugar: Mulheres do Vila Nova
Mazagão: Porta do Mar
Intervenção Urbana: Baixada vive
Through key testimonies, this documentary looks at a gang rape that took place during the 2016 San Fermín festival and sparked protests worldwide.
Ciclo da Reciclagem
Cómo vivir toda una vida con apenas un te quiero
During quarantine, through a screen, through the network, different speeds, different houses, eyes and hands reflect the life, work and creations of the actress and director Deborah Finocchiaro. Therefore, in isolation, new narratives and encounters.
A Tainha e a Onda